Myles Collins

'Moonlight Serenade' was Glenn Miller's most famous composition, served as the theme tune for his band and is probably the definitive example of the 'Miller' sound - tightly scored Clarinet-led reeds...

A classic Cole Porter song from 1932, Night and Day was a 'must-have' number for the great Big Bands of the era. Our version is based on that used by Ella Fitzgerald, and is a good example how to scor...

Don't Sit Under the Apple Tree was another of the Andrews Sisters big hits and sold very well, despite the success that the Glenn Miller band achieved with the same tune. The chart opens with a half t...

This happy tune was originally written and performed by Bobby Darin and has been recently re-done by Robbie Williams and Jane Horrocks on the 'Swing When You're Winning' album. Our version is very muc...

Made famous by Dean Martin, ours is close to the Rosemary Clooney version which she recorded with the Perez Prado Orchestra. This is a relaxed vocal with simple backings from the band, in true Prado s...

Let's Twist Again is another fine chart to have in your library if you play at mixed audience gigs. The dads are almost guaranteed to want to get up and dance. Our arrangement includes the opening spo...

This chart has been transcribed and adapted from Bette Midler's 'Some People's Lives' album. This song has been recorded by many artists, many times and has been generally done as a slow, mournful bal...

String of Pearls? - but everybody's got that in their library. Well, yes and no. There are many bands using a 'stock' dance band arrangement originally written for 5 saxes and 5 brass, and possibly th...

Here is the great Woodchoppers Ball. Co-written and first performed by Woody Herman, this chart became a mainstay in the repertoire of all Herman's bands. Our version is based on Woody's, though resco...

Artie Shaw recorded this classic many times over the years. Initially he used 4 saxes - 2 Altos and 2 Tenors, and latterly with a regular AATTB section and himself on solo Clarinet. Our transcription...

Flatbush Flanagan is a post-war Harry James chart that sits on a cool groove throughout. It features solos for Trumpet 2 (improvised) and Tenor 1 (as written out or improvised), plus a great Trumpet s...

This is the Habanera from Bizet's Carmen, transcribed from the Nat King Cole / Quincy Jones recording. The chart is an up-tempo, rhythmic swinger which features your vocalist and band alike. The origi...

Here is Kay Starr's Christmas classic, (Everybody's Waitin' for) the Man with The Bag. The song was written in 1950 and released in the same year on Capitol 1256. The original arrangement was scored b...

Little Brown Jug was an early classic for the Miller band, first recorded in 1939, with the original arrangement done by Bill Finegan. This is an accurate transcription of that version, complete with...

Corner Pocket was written by the unsung hero of the Count Basie band, Freddie Green, and it's title is a reference to the place that Green called his own - the corner pocket of the rhythm section. We...

Made famous by Linda Eder, this 1994 Frank Wildhorn & Jack Murphy collaboration tells the story of what a girl has to do to make it to the top in showbusiness. From the opening Sing Sing Sing style dr...

Originally entitled 'Tonight', Perfidia came into its own when given the Glenn Miller treatment, as a fabulous vocal showcase for the Modernaires. Our arrangement is true to the original, except that...

Tickle Toe is a real Tenor sax feature. Hardly surprising, as it was written by Lester Young! This chart, with the usual basie combination of flowing sax lines and punchy brass, is written in a minor...

Transcribed from her 'Unforgettable' album, here is Natalie Cole's stylish rendition of the Rodgers and Hart tune, This Can't Be Love. This chart swings like crazy from start to finish and moves smoot...

This high energy version of La Cucaracha contains many of Prado's trademarks. Screaming Trumpets, fat pedals from the Trombones and sharp unison Sax counterpoints, yet it still finds time to contain a...

Transcribed from Julie London's 1961 Liberty Records album 'Whatever Julie Wants', this is a very cool chart that switches effortlessly between swing and beguine feels. Overall the chart is relaxed, b...

Made famous by Dusty Springfield, our arrangement of this timeless classic follows a very similar form and structure to the original hit, and is in the original key too. After the instantly recognisab...

Here is Ted Heath's beautifully lush version of Fly Me to the Moon, scored as a slow Alto Sax feature ballad. The Alto solo line is written out in full, as originally played (possibly by Ronnie Chambe...

Here is the classic version of St. Louis Blues as performed by Glenn Miller and the US Army Air Force band. The original arrangement was co-written by Jerry Gray, Ray McKinley and Perry Burgett. Our t...

This Jimmy Van Heusen / Sammy Cahn tune was originally written for the Rat-Packesque film 'Robin and the Seven Hoods'. Wonderfully melodic and visually exciting in concert, it was Sinatra's theme tune...