Nadia Boulanger

Descended from a long line of musicians, Nadia Boulanger (1887-1979) was the personification of music in the eyes of her contemporaries; but her work as a composer was for a long time overshadowed by...

Score for Medium Voice, Violin, Cello, Harp and Organ.

Posterity has retained of Nadia Boulanger only her gifts as a virtuoso of the piano and organ, her skill as a conductor (of vocal ensemble and orchestra) and most of all, her incredible charisma as a...

Trois Improvisations (3 Improvisations; Trois Pièces) for Organ was written by Nadia Boulanger (1887-1979) in 1911 for inclusion in an anthology of organ music by various composers. "The first piece,...

Some of the most elegant cello repertoire was written by French composers. With equal parts lyricism and charm, these seven beautiful solo melodies are a gift from prominent French composers Nadia Bou...

The first of acclaimed composer and teacher Nadia Boulanger's 3 Pieces for Cello and Piano.

Nadia Boulanger composed this collection of seven songs in 1915, including "Sunsets", "Elegy", "Prayer", "Hymn", "Versailles", "Song" and "Winter Evening".

Over a century since its first performance, Fauré's Requiem continues to be a favourite within the classical music repertoire. This edition provides a clearly printed, SATB vocal score, including solo...

A student of Gabriel Fauré and Louis Verne at the Paris Conservatoire, Nadia Boulanger (1887-1979) owes her aura to an exceptional teaching career spanning nearly 75 years, during which she trained th...

Third volume of original hitherto unpublished songs by Nadia Boulanger for medium voice and piano (Extase, Aubade, Allons voir sur le lac d'argent, Écoutez la chanson bien douce, Ilda, Mon cœur, Mon â...

June 1914. Nadia Boulanger is at the height of her composing career, which she pursues alongside her other musical activities - concert performance and teaching - though only a few years later, she wi...

Originally written for organ, Nadia Boulanger transcribed this piece for cello and piano in 1914. The first piece, Moderato, has a mysterious feel. The second piece is a peaceful lament and the final...

Tenor und Klavier.