Paul Hindemith

Keith Wilson, who was from time to time a pupil of Hindemith's at Yale University, arranged the richly colou-red original score of Symphonic Metamorphosis for large wind band using the American combin...

Paul Hindemith is one of just a few composers whose principal instrument was not the piano but a string instrument. We owe it to his interest in education which in turn was owed not only to his profes...

Edition Schott reflects a wide variety of music and offers a comprehensive music library suitable for students, amateur and professional musicians.Edition Schott ranges from Renaissance to Contemporar...

Edition Schott reflects a wide variety of music and offers a comprehensive music library suitable for students, amateur and professional musicians.Edition Schott ranges from Renaissance to Contemporar...

Edition Schott reflects a wide variety of music and offers a comprehensive music library suitable for students, amateur and professional musicians.Edition Schott ranges from Renaissance to Contemporar...

Arranged for saxophone trio by Christoph Enzel.

Minimax was premiered in 1923 in the original version for string quartet at the Donaueschinger Musiktage and was arranged for saxophone quartet by Christoph Enzel in 2014. The 6 parodies of military m...

The present work 'Pantomime' by Paul Hindemith, now available as a separate edition for the first time, comes from his opera 'Cardillac', performed in 1926 for the first time, a musical setting of the...

'We have to make music here the whole day long!' Such was the enthusiastic response of Paul Hindemith when he heard the school orchestra of Plön. 'We start with an aubade blown from the tower, then we...

For the music festival at the 'Staatliche Bildungsanstalt' in Plön on 20 June 1932, Paul Hindemith (1895-1963) composed his 'Plöner Musiktag'. The work consists of 'Morgenmusik', 'Tafelmusik', a canta...

Edition Schott reflects a wide variety of music and offers a comprehensive music library suitable for students, amateur and professional musicians.Edition Schott ranges from Renaissance to Contemporar...

These pieces, here published for the first time, were written by Hindemith for the festival 'New Music in Berlin 1930', when the Trautonium was first presented to the public. This practical edition is...

During the years of their exile in America, Paul and Gertrud Hindemith regularly met with two young violinists for private music-making. When Hindemith arranged the first of his 'Drei leichte Stücke f...

The work of Paul Hindemith is encyclopedic in nature. From the outset, he worked in all musical genres and devised several of his musical ideas and projects not as individual, self-contained works but...

The work of Paul Hindemith is encyclopedic in nature. From the outset, he worked in all musical genres and devised several of his musical ideas and projects not as individual, self-contained works but...

As is the case with 'Trauermusik', there now exists an organ version of its sister work. Heribert Breuer, choir director and professor in Berlin, arranged the score for the organ, thus opening up furt...

As is the case with 'Trauermusik', there now exists an organ version of its sister work. Heribert Breuer, choir director and professor in Berlin, arranged the score for the organ, thus opening up furt...

Since the last movement of this piece, which is perhaps the most beautiful of Hindemith's pieces, is a chorale, a version for string instrument plus organ is the obvious work to publish. Thus, 'Trauer...

Only two years after composing his three-movement Cello Sonata in 1919, Paul Hindemith undertook a comprehensive revision of the work. Abandoning the two outer movements, he created a new version base...

Harfe; Violine ad lib.

The work of Paul Hindemith is encyclopedic in nature. From the outset, he worked in all musical genres and devised several of his musical ideas and projects not as individual, self-contained works but...