Peter Jost

The serenade flourished in Mozart’s era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvořák’s cheerful and relaxed op. 22 came into being in 1875, during a ver...

The serenade flourished in Mozart’s era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvořák’s cheerful and relaxed op. 22 came into being in 1875, during a ver...

The serenade flourished in Mozart’s era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvořák’s cheerful and relaxed op. 22 came into being in 1875, during a ver...

The serenade flourished in Mozart’s era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvořák’s cheerful and relaxed op. 22 came into being in 1875, during a ver...

The serenade flourished in Mozart’s era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvořák’s cheerful and relaxed op. 22 came into being in 1875, during a ver...

Debussy wrote these two short dances to a commission from the instrument-making firm of Pleyel, which was keen to use famous names in the marketing of its newly-developed chromatic harp. The dances ar...

Debussy wrote these two short dances to a commission from the instrument-making firm of Pleyel, which was keen to use famous names in the marketing of its newly-developed chromatic harp. The dances ar...

Debussy wrote these two short dances to a commission from the instrument-making firm of Pleyel, which was keen to use famous names in the marketing of its newly-developed chromatic harp. The dances ar...

Debussy wrote these two short dances to a commission from the instrument-making firm of Pleyel, which was keen to use famous names in the marketing of its newly-developed chromatic harp. The dances ar...

Debussy wrote these two short dances to a commission from the instrument-making firm of Pleyel, which was keen to use famous names in the marketing of its newly-developed chromatic harp. The dances ar...

The serenade flourished in Mozart’s era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvořák’s cheerful and relaxed op. 22 came into being in 1875, during a ver...

Debussy wrote these two short dances to a commission from the instrument-making firm of Pleyel, which was keen to use famous names in the marketing of its newly-developed chromatic harp. The dances ar...

Originally planned only as a little duo for violin and piano, the composition grew into a sonata in autumn 1885. The first performances were more than disillusioning for Saint-Saëns, as the violinists...

In cooperation with the G. Henle Verlag For the first time the version last hand Edition for violoncello and piano marked by Heinrich Schiff

In cooperation with the G. Henle Verlag For the first time the version last hand Edition for violoncello and piano marked by Heinrich Schiff

In cooperation with the G. Henle Verlag For the first time the version last hand Edition for violoncello and piano marked by Heinrich Schiff

In cooperation with the G. Henle Verlag For the first time the version last hand Edition for violoncello and piano marked by Heinrich Schiff

In cooperation with the G. Henle Verlag For the first time the version last hand Edition for violoncello and piano marked by Heinrich Schiff

In cooperation with the G. Henle Verlag For the first time the version last hand Edition for violoncello and piano marked by Heinrich Schiff

Co-production with the G. Henle Verlag 'The' Piano Concerto in Urtext

Co-production with the G. Henle Verlag 'The' Piano Concerto in Urtext

Co-production with the G. Henle Verlag 'The' Piano Concerto in Urtext

Co-production with the G. Henle Verlag 'The' Piano Concerto in Urtext

Co-production with the G. Henle Verlag 'The' Piano Concerto in Urtext

> One of Ravel's best-known piano pieces > Technically and musically charming genre scene > Single edition from HN842 In his 'Autobiographical Sketch' Ravel looks back and stresses the importance of h...