Ralph Vaughan Williams

Featuring possibly one of the most famous flute solos, this is a faithful arrangement of Vaughan Williams' richly textured English orchestral piece which combines Greensleeves and the more robust folk...

The familiar version of 'Greensleeves', beautifully arranged for flute and harp. A holiday standard!

A leading British composer of the twentieth-century, Ralph Vaughan Williams was a lifelong exponent of choral music and singing. This two-part collection of new arrangements and editions features well...

This innovative and imaginative choral arrangement of The Lark Ascending has the original solo violin part accompanied by mixed choir. It sensitively sets George Meredith's poem (on which the original...

This well-known song by Vaughan Williams is arranged here for mixed voices, with additional lower voice parts by Alan Bullard. The pastoral imagery in the lyrics is beautifully brought to life by the...

Settings of texts from The Tempest and A Midsummer Night's Dream. Includes a piano reduction for rehearsal only.

Jonathan Wikeley's choral arrangement of Vaughan Williams's Four Last Songs offers a new way to engage with these beautiful late works. The texts are by Ursula Vaughan Williams, and the set begins and...

Boldly reimagined and completed by Martin Yates, The Future, a substantial non finito draft of a major choral setting of words by Matthew Arnold, dates from 1908, immediately after Toward the Unknown...

For woodwind choir.

One of the cornerstones of the concert band repertoire, this three movement suite (March: Seventeen come Sunday; Intermezzo: My Bonny Boy; March: Folk Songs from Somerset) was composed in 1923 and rec...

A capricious, lyrical, and nostalgic work, it is often considered to be Vaughan Williams' most successful work in this form. The first movement is pastoral in feeling. The second movement begins with...

Vaughan Williams arrived in Paris in 12th December 1907 so that he could have lessons with Maurice Ravel. This is the first of his works to demonstrate the effects of these lessons which, as he wrote...

Vaughan Williams wrote his Symphony No. 8 between 1953 and 1955, when he was in his eighties. It is his shortest symphony, and is considered by many to be his least serious. Aside from a few sombre mo...

This scholarly edition replaces the original 1958 edition, and includes detailed preliminary matter comprising a preface, sources and editorial method, and detailed textual notes. Orchestral material...

Orchestration: Flute, Piccolo (or Flute 2), Oboe, 2 Clarinets in Bb, Bassoon 2 Horns in F, 2 Trumpets in Bb, 3 Trombones, Timpani, Percussion (Triangle, Side drum, 26 Tabor) Strings (Violin 1, Violin...

Ralph Vaughan Williams (1872-1958) set four poems from George Herbert's (1593-1633) collection The Temple: Sacred Poems in 1911 to music for solo baritone in a work titled Five Mystical Songs. The sol...

Ralph Vaughan Williams (1872-1958) set four poems from George Herbert's (1593-1633) collection The Temple: Sacred Poems in 1911 to music for solo baritone in a work titled Five Mystical Songs. The sol...

Ralph Vaughan Williams (1872-1958) set four poems from George Herbert's (1593-1633) collection The Temple: Sacred Poems in 1911 to music for solo baritone in a work titled Five Mystical Songs. The sol...

Ralph Vaughan Williams (1872-1958) set four poems from George Herbert's (1593-1633) collection The Temple: Sacred Poems in 1911 to music for solo baritone in a work titled Five Mystical Songs. The sol...

Vaughan Williams's famous romance for solo violin and orchestra is given new life in this beautiful arrangement. For the first time, violinists can perform the original solo line as part of a string q...

Vaughan Williams's famous romance for solo violin and orchestra is given new life in this beautiful arrangement. For the first time, violinists can perform the original solo line as part of a string q...

This work features 'Fantasia on a Theme by Thomas Tallis,' Sea Symphony (Symphony No. 1),' 'Linden Lea,' and 'Overture to 'The Wasps'' (Aristophanic Suite). Interesting melodies, beautiful orchestrati...

This work features 'Fantasia on a Theme by Thomas Tallis,' Sea Symphony (Symphony No. 1),' 'Linden Lea,' and 'Overture to 'The Wasps'' (Aristophanic Suite). Interesting melodies, beautiful orchestrati...

This work features 'Fantasia on a Theme by Thomas Tallis,' Sea Symphony (Symphony No. 1),' 'Linden Lea,' and 'Overture to 'The Wasps'' (Aristophanic Suite). Interesting melodies, beautiful orchestrati...