Richard Lane

In November 1986, Richard Lane composed this Trio for violin, horn in F, and piano, his 309th work, and dedicated it to Elaine Sutin-Teicher (violin), Susan Teicher (piano), and Kazimierz Machala (hor...

In November 1986, Richard Lane composed this Trio for violin, horn in F, and piano, his 309th work, and dedicated it to Elaine Sutin-Teicher (violin), Susan Teicher (piano), and Kazimierz Machala (hor...

Theme and Variations is based on 'Sweet Adeline', a very romantic but outdated American melody from the end of the 18th century, which was often successfully programmed by the so-called barbershop qua...

Theme and Variations is based on 'Sweet Adeline', a very romantic but outdated American melody from the end of the 18th century, which was often successfully programmed by the so-called barbershop qua...

As a booster of contemporary music, it has always been my personal credo to premiere a composition at my concerts. When the Lincoln Center for the Performing Arts (NYC) asked me to perform a series of...

As a booster of contemporary music, it has always been my personal credo to premiere a composition at my concerts. When the Lincoln Center for the Performing Arts (NYC) asked me to perform a series of...

Richard Lane wrote this Rondo for 2 clarinets and piano in 1981 for his friends Stanley and Naomi Drucker. Stanley was the exceptional principal clarinetist of the New York Philharmonic from 1948 to 2...

Richard Lane wrote this Rondo for 2 clarinets and piano in 1981 for his friends Stanley and Naomi Drucker. Stanley was the exceptional principal clarinetist of the New York Philharmonic from 1948 to 2...

Richard Lane possesses the art of combining the instrumental voice(s) with that of the piano (whatever the degree of difficulty), admirably stimulating the expressive complicity between protagonists....

Richard Lane possesses the art of combining the instrumental voice(s) with that of the piano (whatever the degree of difficulty), admirably stimulating the expressive complicity between protagonists....

Song for cornet (trumpet, fluegelhorn) and string orchestra was composed in 1972 for Derek Smith, the father of Philip Smith, principal trumpet of the New York Philharmonic. That same year, Richard La...

Song for cornet (trumpet, fluegelhorn) and string orchestra was composed in 1972 for Derek Smith, the father of Philip Smith, principal trumpet of the New York Philharmonic. That same year, Richard La...

Song for cornet (trumpet, fluegelhorn) and string orchestra was composed in 1972 for Derek Smith, the father of Philip Smith, principal trumpet of the New York Philharmonic. That same year, Richard La...

Song for cornet (trumpet, fluegelhorn) and string orchestra was composed in 1972 for Derek Smith, the father of Philip Smith, principal trumpet of the New York Philharmonic. That same year, Richard La...

Song for cornet (trumpet, fluegelhorn) and string orchestra was composed in 1972 for Derek Smith, the father of Philip Smith, principal trumpet of the New York Philharmonic. That same year, Richard La...

Song for cornet (trumpet, fluegelhorn) and string orchestra was composed in 1972 for Derek Smith, the father of Philip Smith, principal trumpet of the New York Philharmonic. That same year, Richard La...

The Sonatina No. 1 for Trumpet and Piano was composed by Richard Lane in 1961 and was first performed that same year by the 14-year old Gerard Schwarz (formerly co-principal trumpet with the New York...

The Sonatina No. 1 for Trumpet and Piano was composed by Richard Lane in 1961 and was first performed that same year by the 14-year old Gerard Schwarz (formerly co-principal trumpet with the New York...