Rick Hirsch

A great title and great chart. A samba groove in cut time around 90 BPM, accessible for a solid grade 2 level. Written solos for trombone 1 and tenor sax 1, and trumpet 1 range goes to written A above...

Ein gefühlvoller Tango von Rick Stizel mit zusätzlicher Kastagnetten-Stimme für den authentischen Tangoflair, kurzen Soli für Alt-, Tenorsaxophon, Trompete und Posaune sowie einem großen Shout-Chorus.

A superb holiday swinger at around 180 BPM. The melody is generously passed around the ensemble to keep everyone happy, plus there is written-out solo space for tenor, alto, piano and some drum fills,...

An upbeat New Orleans second-line groove for your young jazz band. Tempo is around 160 BPM, but it is very accessible. Written melodic solos for trumpet 1 (or section) and trombone 1 (or section) with...

Wade in the Water is a gospel rock that should be played around 148 BPM featuring a slow chorale introduction and modest brass ranges. Check out the written solos for alto 1, trombone 1, and trumpet 1...

Here's an exciting mambo, a very cool arrangement indeed! Played with half note=88-108 BPM. Highlights include alto and trombone solos, a sax section soli, and an auxiliary percussion part for congas....

Here's an exciting mambo, a very cool arrangement indeed! Played with half note=88-108 BPM. Highlights include alto and trombone solos, a sax section soli, and an auxiliary percussion part for congas....

A gorgeous even-eighth treatment of a poignant yet powerful melody you'll love. Trumpet 1 takes the written melody line, plus a few brief suggested solos for alto, trombone, tenor, and trumpet are pro...

A gorgeous even-eighth treatment of a poignant yet powerful melody you'll love. Trumpet 1 takes the written melody line, plus a few brief suggested solos for alto, trombone, tenor, and trumpet are pro...

This easy-to-play shuffle swings at around 144 BPM. This is a well-known melody scored for young players that features accessible ranges, brief written-out solos for tenor, alto, trumpet, and trombone...

A very clever chart for a younger band featuring a few sound effects. An easy swing played around 132 BPM with written solos cued for all saxes and trumpets. Trumpet 1 range is to written E-flat top s...

Just 'Cuz is a catchy rock chart played around 132 BPM with the trumpet 1 range to written G on top of the staff. Solos are written out for any sax and any brass instrument. This chart is very flexibl...

Just 'Cuz is a catchy rock chart played around 132 BPM with the trumpet 1 range to written G on top of the staff. Solos are written out for any sax and any brass instrument. This chart is very flexibl...

Oh yeah, a beautiful straight-eighth Ellington ballad. Played around 84 BPM with gorgeous voicings throughout, written-out solos for tenor and trombone, very easy brass ranges, all the usual optional...

An upbeat New Orleans second-line groove for your young jazz band. Tempo is around 160 BPM, but it is very accessible. Written melodic solos for trumpet 1 (or section) and trombone 1 (or section) with...

An upbeat New Orleans second-line groove for your young jazz band. Tempo is around 160 BPM, but it is very accessible. Written melodic solos for trumpet 1 (or section) and trombone 1 (or section) with...

Let My People Go, based on the well-known spiritual, has been arranged as a unique, funky cha-cha! At a great tempo of 118 BPM, this chart has it all. (3:11)

Wade in the Water is a gospel rock that should be played around 148 BPM featuring a slow chorale introduction and modest brass ranges. Check out the written solos for alto 1, trombone 1, and trumpet 1...

Wade in the Water is a gospel rock that should be played around 148 BPM featuring a slow chorale introduction and modest brass ranges. Check out the written solos for alto 1, trombone 1, and trumpet 1...

A very clever treatment of this well-known traditional spiritual, the opening statement is a slow chorale moving into an easy shuffle played around 138 BPM. The melody bounces between sections then in...

A very clever treatment of this well-known traditional spiritual, the opening statement is a slow chorale moving into an easy shuffle played around 138 BPM. The melody bounces between sections then in...

A very clever treatment of this well-known traditional spiritual, the opening statement is a slow chorale moving into an easy shuffle played around 138 BPM. The melody bounces between sections then in...

A very clever treatment of this well-known traditional spiritual, the opening statement is a slow chorale moving into an easy shuffle played around 138 BPM. The melody bounces between sections then in...

Generate the hustle and bustle of New York City with this exciting new piece that includes a section for improvisation and an optional drum set part. Grand Central is a groovy, energetic work that you...

Generate the hustle and bustle of New York City with this exciting new piece that includes a section for improvisation and an optional drum set part. Grand Central is a groovy, energetic work that you...