Robert Schumann Sheet Music

Repertoire of romantic choral music worth discovering: In his unaccompanied choral songs the expressive melodies of the song composer Schumann combine with a harmonically rich, sometimes even experime...

The edition Schumann for Guitar is an interesting attempt to transfer Robert Schumann's romantic, lyrical music to the guitar. As a consequence, new tonal possibilities present themselves for the guit...

My First Bach and My First Mozart are now followed by a third edition of easy-to-play original works from one of the most important composers of the Romantic era: Robert Schumann. This collection incl...

Schumann's Papillons op. 2 has been a best-selling item in Henle's catalogue for decades. What is special about our revised new edition? First, the musical text has been painstakingly compared once ag...

Like many other nineteenth-century musicians, Robert Schumann wanted to settle down in the musical capital of Vienna. Though these plans came to naught, his stay in Vienna in 1839 gave rise to an enti...

Schumann's turbulent love-affair with the barely eighteen-year-old Ernestine von Fricken, though strong enough to lead to a secret engagement, lasted only a few months. Nevertheless, it managed to giv...

The 'Davidsbund' - a group of artists who had joined forces in a revolutionary struggle against the backward structures in the artistic world, amongst whose members he counted both real and imaginary...

Schumann's great C-major Fantasy, op. 17, was originally intended to be published as a 'Sonata for Beethoven' entitled 'Ruins, Trophies, Palms. Grand Sonata.' Although he eventually abandoned this pla...

'Do you not know Jean Paul, our great writer? I have learnt more counterpoint from him than from my music teacher'. His 'Vorschule der Ästhetik' with its extensive treatment of humour probably occasio...

To Diotima' - this addendum to the title was preserved until shortly before publication of the piano 'songs' and mystified Schumann's contemporaries. 'The Goddess to whom they are addressed has caused...

In Schumann's middle years there was a longer period in which he favoured larger groups of instruments. Although he composed a few single pieces for piano, they remained unpublished at first. It was o...

The most important source for the fundamentally revised edition is Schumann's hand copy. The poetic motti that Schumann noted at the end of the autograph are reproduced in the appended remarks.

Composed in Vienna in 1838 along with several other shorter pieces, Schumann's Arabesque has found a permanent place in the general piano repertoire. It may owe its lightness and grace to Schumann's u...

Who was 'Pauline, Countess of Abegg', the dedicatee of the first edition? Nowadays it is known that the matter revolves around a romantic mystification of the name of Meta Abegg, a friend from Schuman...

With humor, 'slow and tender, 'extremely brisk': the very expression marks of the op. 12 'Fantasy Pieces' illuminate their musical universe, a kaleidoscope of ideas and moods. Our revised new edition...

Robert Schumann's intention to create valuable and, with regard to didactics, sensibly created music for children and young people was not limited to the world-famous Album für die Jugend Op. 68 for p...

Although Robert Schumann absolutely loved to play a duet, he wrote only few works for piano duet. Created in 1848, Bilder aus dem Osten Op. 66 was one of the best-known and most frequently played work...

The Kinderszenen, composed in the spring of 1838, are among the best-known and most popular works in piano literature. No. 7 in particular, the Träumerei, began an unprecedented triumphal march throug...

In 1838 Robert Schumann complained: 'The piano is becoming too narrow for me. I often hear in my current compositions a lot of things that I can hardly indicate'. Thus, in 1840, Schumann dedicated him...

originally for Horn and Piano.