Robert Schumann Sheet Music
[Vl,Orch] (Christian R. Riedel)
- Violin and Orchestra
- Instrumental Part: Violin 2 (Urtext)
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Schumann's 'Sinfonietta' in the Urtext The intensity with which Schumann dealt with the symphony is shown not only by the four known works themselves, but also by compositions that stand between the g...
Schumann's 'Sinfonietta' in the Urtext The intensity with which Schumann dealt with the symphony is shown not only by the four known works themselves, but also by compositions that stand between the g...
- Orchestra
- Instrumental Part: Double Bass (Urtext)
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Schumann's 'Sinfonietta' in the Urtext The intensity with which Schumann dealt with the symphony is shown not only by the four known works themselves, but also by compositions that stand between the g...
Schumann's 'Sinfonietta' in the Urtext The intensity with which Schumann dealt with the symphony is shown not only by the four known works themselves, but also by compositions that stand between the g...
- Orchestra
- Instrumental Part: Viola (Urtext)
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Schumann's 'Sinfonietta' in the Urtext The intensity with which Schumann dealt with the symphony is shown not only by the four known works themselves, but also by compositions that stand between the g...
Schumann's 'Sinfonietta' in the Urtext The intensity with which Schumann dealt with the symphony is shown not only by the four known works themselves, but also by compositions that stand between the g...
- Orchestra
- Instrumental Part: Cello (Urtext)
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Schumann's 'Sinfonietta' in the Urtext The intensity with which Schumann dealt with the symphony is shown not only by the four known works themselves, but also by compositions that stand between the g...
Schumann's 'Sinfonietta' in the Urtext The intensity with which Schumann dealt with the symphony is shown not only by the four known works themselves, but also by compositions that stand between the g...
- Orchestra
- Instrumental Part: Violin 1 (Urtext)
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Schumann's 'Sinfonietta' in the Urtext The intensity with which Schumann dealt with the symphony is shown not only by the four known works themselves, but also by compositions that stand between the g...
Schumann's 'Sinfonietta' in the Urtext The intensity with which Schumann dealt with the symphony is shown not only by the four known works themselves, but also by compositions that stand between the g...
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- Instrumental Part: Violin 2 (Urtext)
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In cooperation with the G. Henle Verlag 'The' Piano Concerto in Urtext
In cooperation with the G. Henle Verlag 'The' Piano Concerto in Urtext
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Schumann, The Symhonies 5 study scores in slipcase
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Long misunderstood between Beethoven and Brahms Schumann's last concertante orchestral work was first performed only in 1937 and at the same time published in an editorially inadequate edition. It was...
Long misunderstood between Beethoven and Brahms Schumann's last concertante orchestral work was first performed only in 1937 and at the same time published in an editorially inadequate edition. It was...
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A key work of the romantic concert literature Edition for violin and piano marked by Robert Schumann
A key work of the romantic concert literature Edition for violin and piano marked by Robert Schumann
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Schumann, The Symphonies 5 study scores in slipcase
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Schumann, The Symphonies 5 study scores in slipcase
Schumann, The Symphonies 5 study scores in slipcase
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With the 5 study scores 'Schumann: Complete Symphonies' a large edition project comes to an end. The slipcase contains the new editions (1993-2001) of the four symphonies according to the last hand ve...
With the 5 study scores 'Schumann: Complete Symphonies' a large edition project comes to an end. The slipcase contains the new editions (1993-2001) of the four symphonies according to the last hand ve...
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That Schumann truly dug his heels into symphonic creation becomes clear at the latest when we look not only at his four well-known symphonies, but also at the works between the genres, such as the Ove...
That Schumann truly dug his heels into symphonic creation becomes clear at the latest when we look not only at his four well-known symphonies, but also at the works between the genres, such as the Ove...
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The question 'Why add music to such perfect poetry?' preoccupied Schumann long and intensively. His first compositional approach to Goethes 'Faust' began in 1844, but it was not until 1851 that he fin...
The question 'Why add music to such perfect poetry?' preoccupied Schumann long and intensively. His first compositional approach to Goethes 'Faust' began in 1844, but it was not until 1851 that he fin...
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Schumann had already worked on Byron's Manfred as a law student, and the topic fascinated him from that time on. Perhaps he discovered a spiritual affinity to himself in the romantic hero's inner conf...
Schumann had already worked on Byron's Manfred as a law student, and the topic fascinated him from that time on. Perhaps he discovered a spiritual affinity to himself in the romantic hero's inner conf...
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The Overture to Hermann and Dorothea is the only compositional result that Schumann reaped from Goethes epic poem. He had originally planned an entire opera, then a Singspiel, and finally an oratorio....
The Overture to Hermann and Dorothea is the only compositional result that Schumann reaped from Goethes epic poem. He had originally planned an entire opera, then a Singspiel, and finally an oratorio....
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Robert Schumann placed great importance on the genre of the 'overture,' as can be seen in the chronology of the genesis of his sole opera Genoveva. In his 'Haushaltbuch' the composer entered as his fi...
Robert Schumann placed great importance on the genre of the 'overture,' as can be seen in the chronology of the genesis of his sole opera Genoveva. In his 'Haushaltbuch' the composer entered as his fi...
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2 2 2 2 - 4 2 3 0 - Pk, Str Details Dauer (min): 28 Min.
2 2 2 2 - 4 2 3 0 - Pk, Str Details Dauer (min): 28 Min.
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- Universal Edition
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2 2 2 2 - 2 2 3 0 - Pk, Str Details Dauer (min): 31 Min.
2 2 2 2 - 2 2 3 0 - Pk, Str Details Dauer (min): 31 Min.
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Die Träumerei aus den Kinderszenen ist eines der berühmtesten Klavierstücke der Musikliteratur. Tom B÷rner hat dieses Stück jetzt auch für Ihr Percussion-Ensemble arrangiert. Für die Besetzung: Xyloph...
Die Träumerei aus den Kinderszenen ist eines der berühmtesten Klavierstücke der Musikliteratur. Tom B÷rner hat dieses Stück jetzt auch für Ihr Percussion-Ensemble arrangiert. Für die Besetzung: Xyloph...
- Percussion Ensemble
- Score and Parts
- Tom Börner
- Musiktotal
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Percussion - Timbales Seules Ou Avec Un Accompagnement
Percussion - Timbales Seules Ou Avec Un Accompagnement
- Timpani
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- Alphonse Leduc
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Partitur und Stimme (Violin- u. Bassschlüssel)
- Trombone and Piano
- Piano Score and Part(s)
- Adrian Connell
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Robert Schumann
Robert Schumann (* June 8, 1810 in Zwickau, † July 29, 1856 in Endenich), one of the most important representatives of the Romantic period, is known to many for his extensive piano works and his 150 songs of vocal music. What piano student hasn't dreamed of Schumann's Kinderszenen op. 15, even if this collection about moments of a childhood wasn't intended as children's pieces. Titles like Faschingsschwank aus Wien op. 26, Album für die Jugend op. 68 or the Davidsbündlertänze op. 6 are regularly found on concert posters and indicate a Schumann program, often in connection with a song recital, for example with Heinrich Heine's Dichterliebe op. 48, Joseph von Eichendorff's Liederkreis op. 39 or the Liederkreis Myrthen op. 25, to name Schumann's best-known song collections.
In the second half of his life, however, Schumann increasingly devoted himself to orchestral, chamber and choral music – the opera Genoveva op. 81 was also written during this period. This was due in no small part to the fact that Schumann was increasingly refraining from his own piano playing due to a permanent ailment in his right hand. He also developed the ability to draft his compositions in his head and put them directly on paper, and in this way created four symphonies and four overtures, seven concertante works (including his Piano Concerto in A minor, op. 54, whose main theme is introduced by a wonderfully cantabile oboe solo), a dozen or so choral works with orchestra, and 12 choral music compositions, as well as 16 chamber music works.
You can search our online store specifically for titles by Robert Schumann, for example, in the spelling robert schumann kreisleriana for all editions of the piano cycle' Kreisleriana op. 16, which Schumann composed in 1883 in reference to E.T.A. Hoffmann's character of the "Kapellmeister Kreisler." Schumann's oeuvre has been recorded in opus numbers. Thus, you can also search specifically for a work whose opus number you know, for example in the notation robert schumann op. 120, to get to our piano reductions, arrangements and study scores of Schumann's final version Symphony No. 4 in D minor op. 120.