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Robert Sieving

Peter Iljitsch Tschaikowsky
from "Symphony No. 4"

This arrangement features the main theme from the second movement of Tchaikovsky's Symphony No. 4 in F minor, Op. 36. Tchaikovsky composed this during a period of personal crisis, therefore the work a...

This arrangement features the main theme from the second movement of Tchaikovsky's Symphony No. 4 in F minor, Op. 36. Tchaikovsky composed this during a period of personal crisis, therefore the work a...

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By the time Antonin Dvorak (1841-1904) completed his 4th Symphony in 1874, he was still little known outside his native Bohemia. After applying several times for an Austrian state artist grant, he bec...

By the time Antonin Dvorak (1841-1904) completed his 4th Symphony in 1874, he was still little known outside his native Bohemia. After applying several times for an Austrian state artist grant, he bec...

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By the time Antonin Dvorak (1841-1904) completed his 4th Symphony in 1874, he was still little known outside his native Bohemia. After applying several times for an Austrian state artist grant, he bec...

By the time Antonin Dvorak (1841-1904) completed his 4th Symphony in 1874, he was still little known outside his native Bohemia. After applying several times for an Austrian state artist grant, he bec...

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Antonín Dvořák
from Symphony No. 8

By the time Antonin Dvorák (1841-1904) completed his 4th Symphony in 1874, he was still little known outside his native Bohemia. After applying several times for an Austrian state artist grant, he bec...

By the time Antonin Dvorák (1841-1904) completed his 4th Symphony in 1874, he was still little known outside his native Bohemia. After applying several times for an Austrian state artist grant, he bec...

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By the time Antonin Dvorak (1841-1904) completed his 4th Symphony in 1874, he was still little known outside his native Bohemia. After applying several times for an Austrian state artist grant, he bec...

By the time Antonin Dvorak (1841-1904) completed his 4th Symphony in 1874, he was still little known outside his native Bohemia. After applying several times for an Austrian state artist grant, he bec...

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Michail Glinka

The Russlan overture is emblematic of the founding of the Russian nationalist school of composition. Arranged for your young string orchestra, careful attention has been paid to retain the original wi...

The Russlan overture is emblematic of the founding of the Russian nationalist school of composition. Arranged for your young string orchestra, careful attention has been paid to retain the original wi...

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Michail Glinka

The Russlan overture is emblematic of the founding of the Russian nationalist school of composition. Arranged for your young string orchestra, careful attention has been paid to retain the original wi...

The Russlan overture is emblematic of the founding of the Russian nationalist school of composition. Arranged for your young string orchestra, careful attention has been paid to retain the original wi...

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Michail Glinka
Score

The Russlan overture is emblematic of the founding of the Russian nationalist school of composition. Arranged for your young string orchestra, careful attention has been paid to retain the original wi...

The Russlan overture is emblematic of the founding of the Russian nationalist school of composition. Arranged for your young string orchestra, careful attention has been paid to retain the original wi...

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Antonín Dvořák
(from Op. 47, No. 5)

Charming! This light and flowing arrangement maintains the rhythmic drive characteristic of Slavic folk music. (4:30)

Charming! This light and flowing arrangement maintains the rhythmic drive characteristic of Slavic folk music. (4:30)

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Antonín Dvořák
(from Op. 47, No. 5)

Charming! This light and flowing Antonín Dvorák arrangement maintains the rhythmic drive characteristic of Slavic folk music. (4:30)

Charming! This light and flowing Antonín Dvorák arrangement maintains the rhythmic drive characteristic of Slavic folk music. (4:30)

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Georg Friedrich Händel
(from Sonata No. 4 in D Major, Op. 1, No. 13)

The hauntingly beautiful melody and lush voicing of the adagio followed by crisp polyphony in the allegro unite to form a welcome addition to the repertoire. Perfect for intermediate and advanced orch...

The hauntingly beautiful melody and lush voicing of the adagio followed by crisp polyphony in the allegro unite to form a welcome addition to the repertoire. Perfect for intermediate and advanced orch...

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Georg Friedrich Händel
(from Sonata No. 4 in D Major, Op. 1, No. 13)

This title is available in SmartMusic.

This title is available in SmartMusic.

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Georg Friedrich Händel
(from Sonata No. 4 in D Major, Op. 1, No. 13) - Score

The hauntingly beautiful melody and lush voicing of the adagio followed by crisp polyphony in the allegro unite to form a welcome addition to the repertoire. Perfect for intermediate and advanced orch...

The hauntingly beautiful melody and lush voicing of the adagio followed by crisp polyphony in the allegro unite to form a welcome addition to the repertoire. Perfect for intermediate and advanced orch...

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Johannes Brahms
(from Symphony No. 4)

The sturdy gaiety of this piece will endear students and audience alike! Carefully crafted to preserve the essence of the original, this arrangement retains the core of the string parts with the neces...

The sturdy gaiety of this piece will endear students and audience alike! Carefully crafted to preserve the essence of the original, this arrangement retains the core of the string parts with the neces...

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Johannes Brahms
(from Symphony No. 4)

The sturdy gaiety of this piece will endear students and audience alike! Carefully crafted to preserve the essence of the original, this arrangement retains the core of the string parts with the neces...

The sturdy gaiety of this piece will endear students and audience alike! Carefully crafted to preserve the essence of the original, this arrangement retains the core of the string parts with the neces...

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Johannes Brahms
(from Symphony No. 4)

This title is available in SmartMusic.

This title is available in SmartMusic.

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Johannes Brahms
(from Symphony No. 4) - Score

The sturdy gaiety of this piece will endear students and audience alike! Carefully crafted to preserve the essence of the original, this arrangement retains the core of the string parts with the neces...

The sturdy gaiety of this piece will endear students and audience alike! Carefully crafted to preserve the essence of the original, this arrangement retains the core of the string parts with the neces...

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Joseph Haydn
(from Symphony No. 82 (The Bear))

Featuring a relatively simple theme in the style of a gavotte, this piece will delight. In this arrangement, the many solos Haydn best owed on the excellent French wind players of his day may now be e...

Featuring a relatively simple theme in the style of a gavotte, this piece will delight. In this arrangement, the many solos Haydn best owed on the excellent French wind players of his day may now be e...

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Joseph Haydn
(from Symphony No. 82 (The Bear))

Featuring a relatively simple theme in the style of a gavotte, this piece will delight. In this arrangement, the many solos Haydn best owed on the excellent French wind players of his day may now be e...

Featuring a relatively simple theme in the style of a gavotte, this piece will delight. In this arrangement, the many solos Haydn best owed on the excellent French wind players of his day may now be e...

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Georg Friedrich Händel
(from Duetto da Camera HWV 192)

A lovely medley! Add a feeling of the era with the harpsichord or organ part that can accompany the strings. As many Baroque composers did, Handel used these melodies in several of his works and here...

A lovely medley! Add a feeling of the era with the harpsichord or organ part that can accompany the strings. As many Baroque composers did, Handel used these melodies in several of his works and here...

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Georg Friedrich Händel
(from Duetto da Camera HWV 192) - Score

A lovely medley! Add a feeling of the era with the harpsichord or organ part that can accompany the strings. As many Baroque composers did, Handel used these melodies in several of his works and here...

A lovely medley! Add a feeling of the era with the harpsichord or organ part that can accompany the strings. As many Baroque composers did, Handel used these melodies in several of his works and here...

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Antonín Dvořák

This beautiful Romantic work has been expanded from the violin and piano setting and is perfect for strings! The violin I and II, viola, and bass parts are all playable in first position; cello goes t...

This beautiful Romantic work has been expanded from the violin and piano setting and is perfect for strings! The violin I and II, viola, and bass parts are all playable in first position; cello goes t...

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  • Robert Sieving
  • Alfred Publishing
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Antonín Dvořák
Score

This beautiful Romantic work has been expanded from the violin and piano setting and is perfect for strings! The violin I and II, viola, and bass parts are all playable in first position; cello goes t...

This beautiful Romantic work has been expanded from the violin and piano setting and is perfect for strings! The violin I and II, viola, and bass parts are all playable in first position; cello goes t...

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Ludwig van Beethoven
1st Movement

A bold string adaptation of this revolutionary work, this piece includes the original string parts with the essential material from the wind parts added in. Eminently playable, the second violin and v...

A bold string adaptation of this revolutionary work, this piece includes the original string parts with the essential material from the wind parts added in. Eminently playable, the second violin and v...

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Ludwig van Beethoven
1st Movement

A bold string adaptation of this revolutionary work, this piece includes the original string parts with the essential material from the wind parts added in. Eminently playable, the second violin and v...

A bold string adaptation of this revolutionary work, this piece includes the original string parts with the essential material from the wind parts added in. Eminently playable, the second violin and v...

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  • Robert Sieving
  • Alfred Publishing
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