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Roger Niese

The trio 'so muss allein ich bleiben' from the operetta Die Fledermaus is sung in the first act: Gabriel von Eisenstein is due to leave for prison and his wife Rosalinde acts to be sad about it. Meanw...

The trio 'so muss allein ich bleiben' from the operetta Die Fledermaus is sung in the first act: Gabriel von Eisenstein is due to leave for prison and his wife Rosalinde acts to be sad about it. Meanw...

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The trio 'so muss allein ich bleiben' from the operetta Die Fledermaus is sung in the first act: Gabriel von Eisenstein is due to leave for prison and his wife Rosalinde acts to be sad about it. Meanw...

The trio 'so muss allein ich bleiben' from the operetta Die Fledermaus is sung in the first act: Gabriel von Eisenstein is due to leave for prison and his wife Rosalinde acts to be sad about it. Meanw...

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The trio 'so muss allein ich bleiben' from the operetta Die Fledermaus is sung in the first act: Gabriel von Eisenstein is due to leave for prison and his wife Rosalinde acts to be sad about it. Meanw...

The trio 'so muss allein ich bleiben' from the operetta Die Fledermaus is sung in the first act: Gabriel von Eisenstein is due to leave for prison and his wife Rosalinde acts to be sad about it. Meanw...

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Im Feuerstrom der Reben is the very final of the second act of the Operetta Die Fledermaus. (Soprano, Mezzo Soprano, Tenor, Choir and Concert Band)

Im Feuerstrom der Reben is the very final of the second act of the Operetta Die Fledermaus. (Soprano, Mezzo Soprano, Tenor, Choir and Concert Band)

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Im Feuerstrom der Reben is the very final of the second act of the Operetta Die Fledermaus. (Soprano, Mezzo Soprano, Tenor, Choir and Concert Band)

Im Feuerstrom der Reben is the very final of the second act of the Operetta Die Fledermaus. (Soprano, Mezzo Soprano, Tenor, Choir and Concert Band)

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Im Feuerstrom der Reben is the very final of the second act of the Operetta Die Fledermaus. (Soprano, Mezzo Soprano, Tenor, Choir and Concert Band)

Im Feuerstrom der Reben is the very final of the second act of the Operetta Die Fledermaus. (Soprano, Mezzo Soprano, Tenor, Choir and Concert Band)

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'O Fledermaus, o Fledermaus' is the very final of the Operetta 'Die Fledermaus'. (2 Sopanos, 2 Mezzo Sopranos, 2 Tenors, 2 Baritones, Choir and Concert Band)

'O Fledermaus, o Fledermaus' is the very final of the Operetta 'Die Fledermaus'. (2 Sopanos, 2 Mezzo Sopranos, 2 Tenors, 2 Baritones, Choir and Concert Band)

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'O Fledermaus, o Fledermaus' is the very final of the Operetta 'Die Fledermaus'. (2 Sopanos, 2 Mezzo Sopranos, 2 Tenors, 2 Baritones, Choir and Concert Band)

'O Fledermaus, o Fledermaus' is the very final of the Operetta 'Die Fledermaus'. (2 Sopanos, 2 Mezzo Sopranos, 2 Tenors, 2 Baritones, Choir and Concert Band)

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'O Fledermaus, o Fledermaus' is the very final of the Operetta 'Die Fledermaus'. (2 Sopanos, 2 Mezzo Sopranos, 2 Tenors, 2 Baritones, Choir and Concert Band)

'O Fledermaus, o Fledermaus' is the very final of the Operetta 'Die Fledermaus'. (2 Sopanos, 2 Mezzo Sopranos, 2 Tenors, 2 Baritones, Choir and Concert Band)

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The Marsch der Priester is played at the very beginning of the second act of Mozart's opera Die Zauberflöte: the priests enter to a solemn march. (Concert Band)

The Marsch der Priester is played at the very beginning of the second act of Mozart's opera Die Zauberflöte: the priests enter to a solemn march. (Concert Band)

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The Marsch der Priester is played at the very beginning of the second act of Mozart's opera Die Zauberflöte: the priests enter to a solemn march. (Concert Band)

The Marsch der Priester is played at the very beginning of the second act of Mozart's opera Die Zauberflöte: the priests enter to a solemn march. (Concert Band)

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The Marsch der Priester is played at the very beginning of the second act of Mozart's opera Die Zauberflöte: the priests enter to a solemn march. (Concert Band)

The Marsch der Priester is played at the very beginning of the second act of Mozart's opera Die Zauberflöte: the priests enter to a solemn march. (Concert Band)

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Order no.: BTM221SC

The Marsch der Priester is played at the very beginning of the second act of Mozart's opera Die Zauberflöte: the priests enter to a solemn march. (Concert Band)

The Marsch der Priester is played at the very beginning of the second act of Mozart's opera Die Zauberflöte: the priests enter to a solemn march. (Concert Band)

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Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement.Not love between two people is in the centre but a more individ...

Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement.Not love between two people is in the centre but a more individ...

  • Concert Band (Vocal Solo (Medium Voice))
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  • Roger Niese
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Order no.: BTM223

Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement.Not love between two people is in the centre but a more individ...

Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement.Not love between two people is in the centre but a more individ...

  • Concert Band (Vocal Solo (Medium Voice))
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  • Roger Niese
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Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement.Not love between two people is in the centre but a more individ...

Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement.Not love between two people is in the centre but a more individ...

  • Concert Band (Vocal Solo (Medium Voice))
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  • Roger Niese
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Order no.: BTM223SC

Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement.Not love between two people is in the centre but a more individ...

Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement.Not love between two people is in the centre but a more individ...

  • Concert Band (Vocal Solo (Medium Voice))
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  • Roger Niese
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Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indivi...

Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indivi...

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  • Roger Niese
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Wolfgang Amadeus Mozart
from the opera Die Zauberflöte

Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indivi...

Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indivi...

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  • Roger Niese
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Order no.: BTM228-DL

Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indivi...

Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indivi...

  • Concert Band
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  • Roger Niese
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Order no.: BTM228SC
Wolfgang Amadeus Mozart
from the opera Die Zauberflöte

Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indivi...

Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indivi...

  • Concert Band
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  • Roger Niese
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Order no.: BTM228SC-DL
Johann Strauss (Sohn)
from The Operetta Die Fledermaus

Brüderlein und Schwesterlein is the very final of the second act: at the end of Prince Orlofsky's party Dr. Falke proposes to sing a song of praise to the brotherhood of the assembled company. (2 Sopa...

Brüderlein und Schwesterlein is the very final of the second act: at the end of Prince Orlofsky's party Dr. Falke proposes to sing a song of praise to the brotherhood of the assembled company. (2 Sopa...

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Order no.: BTM229-DL
Johann Strauss (Sohn)
from The Operetta Die Fledermaus

Brüderlein und Schwesterlein is the very final of the second act: at the end of Prince Orlofsky's party Dr. Falke proposes to sing a song of praise to the brotherhood of the assembled company. (2 Sopa...

Brüderlein und Schwesterlein is the very final of the second act: at the end of Prince Orlofsky's party Dr. Falke proposes to sing a song of praise to the brotherhood of the assembled company. (2 Sopa...

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  • Roger Niese
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Order no.: BTM229SC
Johann Strauss (Sohn)
from The Operetta Die Fledermaus

Brüderlein und Schwesterlein is the very final of the second act: at the end of Prince Orlofsky's party Dr. Falke proposes to sing a song of praise to the brotherhood of the assembled company. (2 Sopa...

Brüderlein und Schwesterlein is the very final of the second act: at the end of Prince Orlofsky's party Dr. Falke proposes to sing a song of praise to the brotherhood of the assembled company. (2 Sopa...

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Order no.: BTM229SC-DL

Täubchen das entflattert ist is the very beginning of Die Fledermaus: At Eisenstein's house the singer Alfred, in love with Eisenstein's wife Rosalinde, is heard serenading Rosalinde. Adele, the maid,...

Täubchen das entflattert ist is the very beginning of Die Fledermaus: At Eisenstein's house the singer Alfred, in love with Eisenstein's wife Rosalinde, is heard serenading Rosalinde. Adele, the maid,...

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Order no.: BTM230-DL