Peter Maxwell Davies

The third in the series of ten Quartets commissioned by the Naxos recording company. First performed at Wigmore Hall, London in Oct 2003 by the Maggini Quartet. A convenient, miniature-sized version o...

The third in the series of ten Quartets commissioned by the Naxos recording company. First performed at Wigmore Hall, London in Oct 2003 by the Maggini Quartet. Study score is available available: CH6...

This work was a test piece for the International string Quartet competition in 2005, Premio Paulo Borciani, It was inspired by a keyboard piece of the same name, A Sad Paven for these Distracted Tymes...

This work was a test piece for the International string Quartet competition in 2005, Premio Paulo Borciani, It was inspired by a keyboard piece of the same name, A Sad Paven for these Distracted Tymes...

The Full Score for Peter Maxwell Davies' fourth in a series of ten string quartets commissioned by the Naxos Recording company, first performed by the Maggini Quartet on 20th August 2004 at the Chapel...

The string parts for Peter Maxwell Davies' fourth in a series of ten string quartets commissioned by the Naxos Recording company.

This work was commissioned by the Naxos Recording Company, and is the fifth in a series of ten quartets. It was first performed on 20th October 2004 at the Wigmore Hall, London by the Maggini Quartet.

This work was commissioned by the Naxos Recording Company, and is the fifth in a series of ten quartets. It was first performed on 20th October 2004 at the Wigmore Hall, London by the Maggini Quartet.

The complete String Quartet score for Maxwell Davies' Quartet No. 6. This work was commissioned by the Naxos Recording Company, and is the sixth in a series of ten quartets. It was first performed on...

The set of parts for Maxwell Davies's Naxos Quartet Six for strings. This work was commissioned by the Naxos Recording Company, and is the sixth in a series of ten quartets. It was first performed on...

This work was commissioned by the Naxos Recording Company, and is the seventh in a series of ten quartets. It was first performed on 19th October 2005, at the Wigmore Hall, London, by the Maggini Quar...

The seventh in a series of ten String Quartets composed for Naxos Records between 2001 and 2007, this one is a tribute to the Baroque architect Francesco Borromini.

This work was commissioned by the Naxos Recording Company, and is the eighth in a series of ten quartets. It was first performed on 10th March 2006 by the Maggini Quartet, at St. Gregory's Centre, Can...

This work was commissioned by the Naxos Recording Company, and is the eighth in a series of ten quartets. It was first performed on 10th March 2006 by the Maggini Quartet, at St. Gregory's Centre, Can...

Set of parts for the ninth Naxos Quartet by Peter Maxwell Davies.

Set of parts for the tenth Naxos Quartet by Peter Maxwell Davies.

Military March No. 2 was composed by Peter Maxwell Davies for the Royal Society of Musicians. This item includes the full score and individual parts for this wonderful work, arranged for String Quarte...

Start Point is a collection of four tunes written for the Sanday Fiddle Club. First performed in their entirety in 2006 at the St Magnus Festival, the names of the tunes are names of places on the Ork...

This is - so far - the earliest composition by Davies to be available for performance, and mighty interesting it is. Written while he was still a young student, it provides a candid glimpse of the thi...

A Birthday Card for Prince Charles' was written for the Sanday Fiddle Club, in celebration of the sixtieth birthday of His Royal Highness the Prince of Wales. Sanday is one of the Orkney Islands, the...

Four voluntaries by Thomas Tallis arranged for brass quintet by Peter Maxwell Davies.

Two motets by Carlo Gesualdo arranged for brass quintet by Peter Maxwell Davies.

This is a full score, and the parts are also available on sale. An ebullient piece, in a simplified yet still very distinctive harmonic and rhythmic style arranged for brass quintet.

Brass quintets are exuberant almost by definition, and Davies's certainly does not disappoint. It has, though, the rarer quality of being a consistent, gripping and fully developed work: a piece as su...

Like many of Davies's smaller works, this is in a relatively lucid modal style, midway between the clarity of his carols and the complications of his symphonies: the opening is in a kind of B flat min...