Stephen Hatfield
- Women's Choir
- Choral Score
- Boosey & Hawkes
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The Apple Tree Wassail comes from the cider country of Devon and Somerset, where it might be sung in the orchards or at the farmer's door. Wassail comes from the Anglo-Saxon wes hael - to be healthy.
The Apple Tree Wassail comes from the cider country of Devon and Somerset, where it might be sung in the orchards or at the farmer's door. Wassail comes from the Anglo-Saxon wes hael - to be healthy.
- Women's Choir
- Choral Score
- Boosey & Hawkes
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Hot-blooded and haughty, a mixture of delight and disdain. The central paradox of performing this piece it that the rhythms must be very incisive and exact, yet the precision must be combined with the...
Hot-blooded and haughty, a mixture of delight and disdain. The central paradox of performing this piece it that the rhythms must be very incisive and exact, yet the precision must be combined with the...
- Women's Choir
- Choral Score
- Boosey & Hawkes
-
in stock
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This is a folk melody from Ecuador traditionally played on the siku - the double row of panpipes that have been used in the high Andes for over a thousand years.
This is a folk melody from Ecuador traditionally played on the siku - the double row of panpipes that have been used in the high Andes for over a thousand years.
- Mixed Choir
- Choral Score
- Boosey & Hawkes
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This is a folk melody from Ecuador traditionally played on the siku - the double row of panpipes that have been used in the high Andes for over a thousand years.
This is a folk melody from Ecuador traditionally played on the siku - the double row of panpipes that have been used in the high Andes for over a thousand years.
- Women's Choir (SSA) and Percussion
- Choral Score
- Boosey & Hawkes
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- Women's Choir (SSA)
- Choral Score
- Boosey & Hawkes
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-
in stock
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Son de Camaguey is a Cuban folk song from which the composer takes the refrain and then frames it with kaleidoscopic patters of ostinati inspired by the song, and by Afro-Cuban music in general.
Son de Camaguey is a Cuban folk song from which the composer takes the refrain and then frames it with kaleidoscopic patters of ostinati inspired by the song, and by Afro-Cuban music in general.
- Mixed Choir
- Choral Score
- Stephen Hatfield
- Boosey & Hawkes
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-
in stock
ships within 1-2 working days
- Mixed Choir
- Choral Score
- Boosey & Hawkes
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-
in stock
ships within 1-2 working days
- Mixed Choir
- Choral Score
- Boosey & Hawkes
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-
in stock
ships within 1-2 working days
- Women's Choir
- Choral Score
- Boosey & Hawkes
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in stock
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A romper stomper of a French Canadian folk song, full of call and response, that features a soli line suitable for mezzo sopranos. Although the score has parts for several percussionists, as well as b...
A romper stomper of a French Canadian folk song, full of call and response, that features a soli line suitable for mezzo sopranos. Although the score has parts for several percussionists, as well as b...
- Mixed Choir (SAB) and Drums
- Choral Score
- Boosey & Hawkes
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- Female Choir (SSA), Guitar and Electric Bass
- Choral Score
- Boosey & Hawkes
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Each movement of this mass incorporates folk melodies from a different country. The moods and the tempi of the originals have been altered; melodies have been unraveled, spliced together and persuaded...
Each movement of this mass incorporates folk melodies from a different country. The moods and the tempi of the originals have been altered; melodies have been unraveled, spliced together and persuaded...
- Women's Choir (SSA)
- Choral Score
- Boosey & Hawkes
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in stock
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The Green Shores of Fogo bears marks of Irish provenance, although its musical origins were lost before Kenneth Peacock collected the song from Mrs. John Fogarty in 1952. The tune, which Peacock consi...
The Green Shores of Fogo bears marks of Irish provenance, although its musical origins were lost before Kenneth Peacock collected the song from Mrs. John Fogarty in 1952. The tune, which Peacock consi...
- Women's Choir (SSA)
- Choral Score
- Boosey & Hawkes
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“Ohisashi buri,” or “It's been a long time” in Japanese, is a greeting between friends. The text is a collection of shouts of encouragement, taken from four traditional Japanes...
“Ohisashi buri,” or “It's been a long time” in Japanese, is a greeting between friends. The text is a collection of shouts of encouragement, taken from four traditional Japanes...
- Childrens' Choir (2-Part), Mixed Choir (SATB) and Piano 4 Hands
- Choral Score
- Boosey & Hawkes
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Written from the point of view of a young chorister, this Hatfield original tells the story of a young girl who wants to join her friends in the choir. The effect this has on her and her parents is pr...
Written from the point of view of a young chorister, this Hatfield original tells the story of a young girl who wants to join her friends in the choir. The effect this has on her and her parents is pr...
- Women's Choir (SSA) and Piano
- Sheet Music
- Boosey & Hawkes
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- Mixed Choir (SAB) and Piano
- Sheet Music
- Stephen Hatfield
- Boosey & Hawkes
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The main idea behind this unique work is that music is the ultimate gift and that all things must pass. Opening with a Latin phrase and theme by di Lassus, it moves into a jaunty, Celtic-flavored tune...
The main idea behind this unique work is that music is the ultimate gift and that all things must pass. Opening with a Latin phrase and theme by di Lassus, it moves into a jaunty, Celtic-flavored tune...
- Mixed Choir (SATB) and Piano
- Sheet Music
- Boosey & Hawkes
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From the collection Hark, hark, the lark, 'When icicles hang by the wall' is a setting by Stephen Hatfield of words from Shakespeare's Love's Labour's Lost. Scored for unaccompanied upper voices, this...
From the collection Hark, hark, the lark, 'When icicles hang by the wall' is a setting by Stephen Hatfield of words from Shakespeare's Love's Labour's Lost. Scored for unaccompanied upper voices, this...
- Women's Choir (SSA)
- Sheet Music Download
- Oxford University Press
-
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- Mixed Choir (SATB)
- Sheet Music
- Stephen Hatfield
- Boosey & Hawkes
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Adapted from a traditional African-American chant, this is - in the composer's words - a 'soulful piledriver with a monster backbeat.' Plentiful but manageable divisi writing makes this a full and sat...
Adapted from a traditional African-American chant, this is - in the composer's words - a 'soulful piledriver with a monster backbeat.' Plentiful but manageable divisi writing makes this a full and sat...
- Mixed Choir (SATB)
- Score
- Stephen Hatfield
- Boosey & Hawkes
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in stock
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- Mixed Choir (SATB)
- Score
- Stephen Hatfield
- Boosey & Hawkes
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in stock
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- Mixed Choir (SATB) and Drums
- Sheet Music
- Boosey & Hawkes
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Composer Hatfield mixes Spanish and English texts and explores how a community supports and nourishes an individual, even as the individual inspires the community. Coining a new musical style with the...
Composer Hatfield mixes Spanish and English texts and explores how a community supports and nourishes an individual, even as the individual inspires the community. Coining a new musical style with the...
- Soloist, Mixed Choir (SATB), Drums and Double Bass
- Score
- Boosey & Hawkes
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Here is a playful and creative treatment of the alphabet centered around the theme of children and hope. Filled with slides and scoops, a conventional tone of delivery, and a steady rhythmic drive, au...
Here is a playful and creative treatment of the alphabet centered around the theme of children and hope. Filled with slides and scoops, a conventional tone of delivery, and a steady rhythmic drive, au...
- Childrens' Choir, Piano and Strings
- Set of Parts
- Boosey & Hawkes
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