Tarik O'Regan

Lines of Desire is a term attributed by architects and planners to the routes that evolve over time, which people instinctively take through open space, rather than those marked by paths or pavements....

Work for solo Piano composed in 1999. It won 1st Prize in the IMRO International Composition Competition 2001.

Written for SSAA choir, with soloists, vibraphone and electric bass guitar.

Tarik O'Regan's The Night's Untruth for SATB chorus, Brass ensemble and Organ is a co-commission celebrating the 10th anniversary of JAM (The John Armitage Memorial Trust) and the 40th anniversary of...

Tarik O'Regan's The Night's Untruth for SATB chorus, Brass ensemble and Organ is a co-commission celebrating the 10th anniversary of JAM (The John Armitage Memorial Trust) and the 40thanniversary of V...

A Letter Of Rights is a work by Tarik O'Regan, a Cantata for SATB Chorus, Strings and Percussion. Commissioned by Salisbury Cathedral to mark the 800th anniversary of the Magna Carta, it received its...

The Ecstasies Above, commissioned from the Robert Baker Commissioning Fund for Sacred Music by Yale Institute of Sacred Music, was premièred by Yale Schola Cantorum under the direction of Simon Carrin...

The Full Score for Tarik O'Regan 's Blessed Are They. Commissioned in honour of Raymond and Elizabeth Chenault for their 38 years of service as Organists and Choirmasters of All Saints' Episcopal Chur...

The String Quintet Parts for Tarik O'Regan 's Blessed Are They. Commissioned in honour of Raymond and Elizabeth Chenault for their 38 years of service as Organists and Choirmasters of All Saints' Epis...

The Dorchester Canticles were commissioned by the Bournemouth Sinfonietta Choir, with funds from Arts Council England. Received its première in St Mary's Church, Dorchester in a performance on 22nd Ma...

The organ is played from the vocal score.

Fragments from a Gradual Process was commissioned by ensemblebash. The work was premiered by the commissioners, with violinist Madeleine Mitchell, on 21 April 2005 in Turner Sims Concert Hall, Southam...

Fragments from a Gradual Process was commissioned by ensemblebash. The work was premiered by the commissioners, with violinist Madeleine Mitchell, on 21 April 2005 in Turner Sims Concert Hall, Southam...

Written for SSAA choir, with soloists, vibraphone and bass guitar.

Postlude is taken from the larger work, Threshold of Light, for SATB chorus, brass quintet and organ, commissioned by the Memorial Church at Harvard University in celebration of its 75th anniversary.

A setting for unaccompanied SSAATTBB choir of lines by the Japanese poet Yone Noguchi contemplating the theme of night. Slow and sustained, the music opens and closes in hushed tones, steadily swellin...

For SSSAAATTTBBB unaccompanied chorus. No Matter sets excerpts from Samuel Beckett's 1983 prose poem Worstward Ho. It is one of the very last pieces Beckett ever wrote and remains one of his most eni...