Tomás Luis de Victoria

For SATB and Variations. Includes: Aestimatus Sum - Amicus Meus - Animam Meam Dilectam - Astiterunt Reges - Caligaverunt Oculi Mei - Ecce Quomodo Moritur - Eram Quasi Agnus - Iesum Tradidit Impius - I...

The compositional style of this motet demonstrates word-painting and madrigal-like features. It opens with a duet that may reflect the word 'Duo' in the title, and the use of three voices at the start...

The Oxford Choral Classic Octavos Series makes the best new editions of standard repertoire available to every choir at an attractive price. Drawing on his extensive experience of the needs of choirs...

S.A.T.B. Chorus, a cappella

This beautifully presented edition from Novello offers a full Mass setting alongside a Motet, both for SATB chorus, by Tomas Luis De Victoria. Regarded by many as one of the greatest composers of Span...

Victoria's O Magnum Mysterium edited for modern use by Henry Washington. SATB.

Instruments: 6 Trombones or 6 Sackbuts 2 Bass Trombones or 2 Bass Sackbuts - Difficuly Level: Grade 3 - Duration: 2 mn 20 s - Musical Style: Classical, Baroque - Category: Arrangement - Composer: Toma...

These new SAB and SSA arrangements make the beautiful Tomas Luis de Victoria choral work accessible for younger and smaller choirs as well as treble voices. The optional piano is a supportive accompan...

These new SAB and SSA arrangements make the beautiful Tomas Luis de Victoria choral work accessible for younger and smaller choirs as well as treble voices. The optional piano is a supportive accompan...

Edited and arranged for 3-Part Chorus of Women's Voices by Jerry Weseley Harris. English text alternative provided.

Consisting of two sections, this large-scale Christmas motet opens with a rich homophonic texture that is synonymous with Victoria's compositions. This is followed by imitation in the vocal lines befo...

An arrangement of the Ave Maria by Tomás Luis de Victoria for women's choir (SSAA) by Thais Janssen. It has been debated whether or not this work was composed by Victoria, and some attribute it to Jac...

Enjoy the contrapuntal textures and fluid lines of the High Renaissance in this 16th century masterwork by the Spanish composer Tomas Luis de Victoria to the text from Isaiah 53. Duration: ca. 3:20.

Enjoy the contrapuntal textures and fluid lines of the High Renaissance in this 16th century masterwork by the Spanish composer Tomas Luis de Victoria to the text from Isaiah 53. Duration: ca. 3:20.