Walter Lebermann

The early classical concerto of Georg Benda, the younger brother of Franz Benda, that was written around 1775 is virtuoso showing the technical and tonal qualities of the instrument to their best adva...

Franz Benda belongs to the so-called Berlin or North German School which became extremely significant in the second half of the 18th century particularly in the field of instrumental music and which m...

Piano reduction with solo part

Streicher-Ergänzungssatz - 2 Violinen I; 2 Violinen II; Viola; 2 Violoncelli/Kontrabässe - Orchester

2 Violinen, Violoncello und Kontrabass (solistisch oder chorisch)

2 Violinen, Violoncello und Kontrabass (solistisch oder chorisch)

Pietro Nardini was the most important pupil of Tartini regarding both violin playing and composition. Like his teacher, he attached special significance to the beauty of sound and the -suitability for...

Pietro Nardini was the most important pupil of Tartini regarding both violin playing and composition. Like his teacher, he attached special significance to the beauty of sound and the -suitability for...

Streicher-Ergänzungssatz

A symphony that impresses by intransigence, extremely hard sound clusters and extremely strong emphasis on affections.

The three-movement concerto is a welcome and rewarding example of a double concerto for two flutes (see Fesch). The equally important parts of both flutes present a charming interplay of tonal beauty.

A concerto of classical elegance, cantability and virtuosity. The allegro in sonata form and the serenade-like andante are followed by the brilliant rondo reminding of Mozart, with a charming minuet a...

Apart from his numerous instrumental works, Carl Stamitz left also four horn concertos. For reasons of the playing technique, the concerto was transposed down a semitone in the present edition. This w...

Apart from his numerous instrumental works, Carl Stamitz left also four horn concertos. For reasons of the playing technique, the concerto was transposed down a semitone in the present edition. This w...

Stimmensatz - Horn I, Horn II, 4 Violinen I, 4 Violinen II, 2 Violen, 4 Violoncelli/Kontrabässe

It is elegance and brilliance that characterise this work by the violin master whose French form type takes up the essential music tendencies of that time coming from Mannheim, Paris and Italy.

It is elegance and brilliance that characterise this work by the violin master whose French form type takes up the essential music tendencies of that time coming from Mannheim, Paris and Italy.