William Byrd

Byrd's setting of the Ave Maria, edited by J. Steele.

A definitive score for this masterpiece of Tudor polyphony, edited by Henry Washington, using reference to the original part-books in the British Museum. Arranged for soprano, counter tenor, two tenor...

Text in lateinisch/english

William Byrd (c. 1540-1623) was an English renaissance composer who wrote several well-known works in both the Catholic and Anglican traditions, many of which are still highly popular today. He studie...

Written for STB choir.

Edition Wulstan

Edition Collins

Edition Collins

Edition Collins

Justorum Animae is an anthem for the offertory on the Feast of All Souls, scored for five voices. Written in 1607 by William Byrd, it has been edited by Barclay Squire and is presented here with aKeyb...

Why Do I Use My Paper, Ink And Pen? is a work by William Byrd; for Unison Voices and Organ Accompaniment that sets text attributed to Henry Walpole.

Looke Downe, O Lord' arranged for Soprano and Alto voices.

A series of superb anthems spanning one of the greatest periods of English music. The anthems reflect many stuyles ranging from simple four-part chordal anthems to elaborate motets. They cover all the...

Gallant's take on this Acadian folksong is lively and engaging, featuring the quintessential elements of the tradition: podorythmie (seated foot-tapping), diddlage (mouth music), and the spoons.

When you order, you will receive a ZIP file containing the PDF files (score and parts). You can unzip the ZIP file on your computer using a standard programme.

Anthem, taking words translated from the Proper of the Sunday after Ascension, for SSATB Choir and Organ ad lib. Edited by William McKie.

A setting of the Magnificat And Nunc Dimittis for mixed voice choir SATB with Organ accompaniment.