With Foreword and Critical commentary for 2nd Sonata in C major.
The perfectly formed contrapuntal interplay, the compact shaping of the movements show Boni to be a profound connoisseur of the high baroque Italian composer's style.
Hardly anyone among the traveling flute virtuosos of the early 18th century wrote more beautifully for the recorder than J.Chr. Schickhardt. In his sonatas and trios he knew how to capture once again...
The melodic inventiveness of the 'Amuzettes' is indebted to the taste of the Parisian salon. The characterizing 'Zeitvertreib' titles reflect the noble grace and playfulness of the 'very light'-flavor...
Sonata IV: C major; Sonata V: B flat major, Sonata VI: C major
Sonata VII: g minor; Sonata VIII: F major; Sonata IX: g minor
The idiomatic peculiarities of the recorder are taken into account in all 6 sonatas and their possibilities regarding the range, their tonal as well as technical-virtuosic bandwidth are fully exhauste...
Loeillet's sonatas shine with a didactic flair for flute-specific passage playing as well as cultivated French 'sound rhetoric'. A must for school and home.
