From the series: Aurea Amadeus, No. 338.
First Edition
Faschs instrumental pieces reveal an outstanding master of counterpoint; still rooted in the baroque tradition, they are however works of transition that, without renouncing polyphonic writing, prefig...
The varied forms of the Trii op. 5 show Handel's proven practice of 'exploiting' the popular thematic wealth of his orchestral works and organ concertos in chamber music.
