Sheet Music for Jazz Ensemble

Stardust is one of the great Hoagy Carmichael tunes, and deserves a place in the library of every band. Bob Martin has done a truly excellent job of transcription and modification of this Ted Heath ve...

Sunrise Serenade was originally released in 1939 on the RCA Bluebird label as the flipside to Moonlight Serenade, and the record became a huge hit for the Miller band. The original Miller chart was by...

This chart of Night and Day is transcribed and adapted from Artie Shaw's April 1937 RCA session, the original arrangement being penned by Jerry Gray. The band then consisted of 5 Brass, 4 Reeds, 4 Rhy...

Here is a very lush and sweet arrangement of Fascination Waltz, as recorded by the Joe Loss Orchestra. The saxes are Miller voiced throughout, scored for CAATT (with the first Tenor also doubling Clar...

This chart of the Blue Danube has been transcribed from a version by Joe Loss, and is played at Viennese Walts tempo. Saxes are scored for AAATT in Miller style, with 1st Alto doubling Clarinet. The a...

A bouncy vocal from Anita O'Day and the Gene Krupa band, with an unreasonably long title! This chart was one of the most requested of O'Day's repertoire, and we have faithfully recreated it for you he...

This version of Why Don't You Do Right was recorded in 1942 by Peggy Lee during her stay with the Benny Goodman band and Peggy made this song her own. We have faithfully transcribed Goodman's chart, i...

A powerful mid-tempo hard-driving number with sections for open solos. Right from bar 1 this chart really shows what excitement can be generated by the sound of the contemporary big band. From the alb...

From the Natalie Cole album 'Unforgetable With Love'. A particularly fine medium groove Ralph Burns arrangement in the classic relaxed 'Basie' style-the perfect combination of singer and big band.Key...

Original arrangement from the CD 'Swing it! - Vol. 2'

Medium up-tempo D-flat major blues (half note = 108) scored for Count Basie (and partially dictated by the Count himself) around 1060, somewhat imitating the Basie Band style of the 1940's, with brass...

Rut un Wiess - das sind die Kölner Farben. Aber ob Kölner oder nicht, zum Schunkeln und Tanzen ist dieser Bläck Fööss-Song bestens geeignet!

Für Big Band; kpl. Partitur

Calling all male vocalists! Clementine is simply great fun. This Bobby Darin version is in a similar style to his more well known Mack the Knife, with successive half-step modulations, and a band back...

That Ole Devil is a wonderful torchlight ballad which was made famous by Billie Holiday, and latterly by Alison Moyet. Ours draws from the best of both, and we have added extra depth and richness to t...

Cole Porter penned some fabulous songs. My Heart Belongs to Daddy was written for the 1938 musical, Leave it to Me, and has a wonderfully naughty lyric where 'daddy' means 'sugar daddy'. Our arrangeme...

This is the theme tune for the Tommy Dorsey Orchestra, and perhaps the definitive solo vehicle for Trombone, where the melody brings out the best of the instrument. This arrangement is true to the ori...

Tenor sax ballad feature. Intensity & sensitivity go hand in hand. Some sax dbls. Recorded by Bob Florence Limited Edition on Soaring on Sea Breeze Jazz.

Recorded by Chick Corea and Origin on the CD “Change,” this high-energy syncopated number is filled with intricate melodies and creative harmonies. This challenging arrangement will stretch your playe...

A straight-ahead Waltz in a stock style. Good sectional interplay and use of brass mutes for tonal colour, with a written Trumpet 2 solo and written Piano fills.

A straight-ahead Waltz in a stock style. No solos apart from a short Piano intro, just good sectional interplay and use of brass mutes for tonal colour.