Sheet Music for Jazz Ensemble

In 1977 Stevie Wonder was in his prime and 'Sir Duke' was on top of the charts. Michael Mossman takes this familiar hit and adds his own unique touch. The middle section goes into a double time swing...

In 1977 Stevie Wonder was in his prime and 'Sir Duke' was on top of the charts. Michael Mossman takes this familiar hit and adds his own unique touch. The middle section goes into a double time swing...

In 1977 Stevie Wonder was in his prime and 'Sir Duke' was on top of the charts. Michael Mossman takes this familiar hit and adds his own unique touch. The middle section goes into a double time swing...

In 1977 Stevie Wonder was in his prime and 'Sir Duke' was on top of the charts. Michael Mossman takes this familiar hit and adds his own unique touch. The middle section goes into a double time swing...

In 1977 Stevie Wonder was in his prime and 'Sir Duke' was on top of the charts. Michael Mossman takes this familiar hit and adds his own unique touch. The middle section goes into a double time swing...

In 1977 Stevie Wonder was in his prime and 'Sir Duke' was on top of the charts. Michael Mossman takes this familiar hit and adds his own unique touch. The middle section goes into a double time swing...

In 1977 Stevie Wonder was in his prime and 'Sir Duke' was on top of the charts. Michael Mossman takes this familiar hit and adds his own unique touch. The middle section goes into a double time swing...

In 1977 Stevie Wonder was in his prime and 'Sir Duke' was on top of the charts. Michael Mossman takes this familiar hit and adds his own unique touch. The middle section goes into a double time swing...

In 1977 Stevie Wonder was in his prime and 'Sir Duke' was on top of the charts. Michael Mossman takes this familiar hit and adds his own unique touch. The middle section goes into a double time swing...

In 1977 Stevie Wonder was in his prime and 'Sir Duke' was on top of the charts. Michael Mossman takes this familiar hit and adds his own unique touch. The middle section goes into a double time swing...

In 1977 Stevie Wonder was in his prime and 'Sir Duke' was on top of the charts. Michael Mossman takes this familiar hit and adds his own unique touch. The middle section goes into a double time swing...

In 1977 Stevie Wonder was in his prime and 'Sir Duke' was on top of the charts. Michael Mossman takes this familiar hit and adds his own unique touch. The middle section goes into a double time swing...

In 1977 Stevie Wonder was in his prime and 'Sir Duke' was on top of the charts. Michael Mossman takes this familiar hit and adds his own unique touch. The middle section goes into a double time swing...

In 1977 Stevie Wonder was in his prime and 'Sir Duke' was on top of the charts. Michael Mossman takes this familiar hit and adds his own unique touch. The middle section goes into a double time swing...

In 1977 Stevie Wonder was in his prime and 'Sir Duke' was on top of the charts. Michael Mossman takes this familiar hit and adds his own unique touch. The middle section goes into a double time swing...

In 1977 Stevie Wonder was in his prime and 'Sir Duke' was on top of the charts. Michael Mossman takes this familiar hit and adds his own unique touch. The middle section goes into a double time swing...

In 1977 Stevie Wonder was in his prime and 'Sir Duke' was on top of the charts. Michael Mossman takes this familiar hit and adds his own unique touch. The middle section goes into a double time swing...

In 1977 Stevie Wonder was in his prime and 'Sir Duke' was on top of the charts. Michael Mossman takes this familiar hit and adds his own unique touch. The middle section goes into a double time swing...

Roger Holmes has turned Adele's Song of the Year into an effective and powerful version for jazz ensemble. The melody is traded around to various sections, along with counterlines and background patte...

Roger Holmes has turned Adele's Song of the Year into an effective and powerful version for jazz ensemble. The melody is traded around to various sections, along with counterlines and background patte...

Roger Holmes has turned Adele's Song of the Year into an effective and powerful version for jazz ensemble. The melody is traded around to various sections, along with counterlines and background patte...

Roger Holmes has turned Adele's Song of the Year into an effective and powerful version for jazz ensemble. The melody is traded around to various sections, along with counterlines and background patte...

Roger Holmes has turned Adele's Song of the Year into an effective and powerful version for jazz ensemble. The melody is traded around to various sections, along with counterlines and background patte...

Roger Holmes has turned Adele's Song of the Year into an effective and powerful version for jazz ensemble. The melody is traded around to various sections, along with counterlines and background patte...

Roger Holmes has turned Adele's Song of the Year into an effective and powerful version for jazz ensemble. The melody is traded around to various sections, along with counterlines and background patte...