Intermediate Jazz Ensemble

This collection of short exercises is a follow-up to last year's popular Warm-ups for Beginning Jazz Ensemble. Covering a wide variety of styles, the exercises include Chorale, Ballad, Laid Back, Kill...

This piece was inspired by a photograph of jazz clubs on New York's 52nd Street in the late 1940s. It has the sound and feel of some of the great standards of that era, and incorporates elements of th...

Who says being in the doghouse is no fun? This phenomenal work fuses boogie-woogie and shuffle into a chart with a unique style and attitude. The opening piano groove grabs the listener and sets the p...

Who says being in the doghouse is no fun? This phenomenal work fuses boogie-woogie and shuffle into a chart with a unique style and attitude. The opening piano groove grabs the listener and sets the p...

Who says being in the doghouse is no fun? This phenomenal work fuses boogie-woogie and shuffle into a chart with a unique style and attitude. The opening piano groove grabs the listener and sets the p...

A driving samba with modest ranges and a fiery sax soli section, Porto Alegre features carefully notated rhythm section parts, suggested piano voicings, a transcribed solo for trombone and/or trumpet,...

A driving samba with modest ranges and a fiery sax soli section, Porto Alegre features carefully notated rhythm section parts, suggested piano voicings, a transcribed solo for trombone and/or trumpet,...

A driving samba with modest ranges and a fiery sax soli section, Porto Alegre features carefully notated rhythm section parts, suggested piano voicings, a transcribed solo for trombone and/or trumpet,...

A driving samba with modest ranges and a fiery sax soli section, Porto Alegre features carefully notated rhythm section parts, suggested piano voicings, a transcribed solo for trombone and/or trumpet,...

The jaunty traditional melody (Here We Come A-Caroling) appears briefly in its original 6/8 time, before we're off on full-ensemble, straight-ahead swing. A brief sax soli and some short drum set inte...

The jaunty traditional melody (Here We Come A-Caroling) appears briefly in its original 6/8 time, before we're off on full-ensemble, straight-ahead swing. A brief sax soli and some short drum set inte...

The jaunty traditional melody (Here We Come A-Caroling) appears briefly in its original 6/8 time, before we're off on full-ensemble, straight-ahead swing. A brief sax soli and some short drum set inte...

The jaunty traditional melody (Here We Come A-Caroling) appears briefly in its original 6/8 time, before we're off on full-ensemble, straight-ahead swing. A brief sax soli and some short drum set inte...

Understated, straight-ahead swing à la Dave Brubeck meets a traditional English Christmas carol. There's mostly full-ensemble playing with a brief, written trumpet solo, cued for Trombone. Drums playe...

Understated, straight-ahead swing à la Dave Brubeck meets a traditional English Christmas carol. There's mostly full-ensemble playing with a brief, written trumpet solo, cued for Trombone. Drums playe...

Understated, straight-ahead swing à la Dave Brubeck meets a traditional English Christmas carol. There's mostly full-ensemble playing with a brief, written trumpet solo, cued for Trombone. Drums playe...

Understated, straight-ahead swing à la Dave Brubeck meets a traditional English Christmas carol. There's mostly full-ensemble playing with a brief, written trumpet solo, cued for Trombone. Drums playe...

The traditional Irish carol fits nicely over a Partido Alto Latin feel. The two-measure ostinato dances under a legato melody played by five saxes and a flugelhorn. Solo transcriptions for flugel and...

The traditional Irish carol fits nicely over a Partido Alto Latin feel. The two-measure ostinato dances under a legato melody played by five saxes and a flugelhorn. Solo transcriptions for flugel and...

The traditional Irish carol fits nicely over a Partido Alto Latin feel. The two-measure ostinato dances under a legato melody played by five saxes and a flugelhorn. Solo transcriptions for flugel and...

The traditional Irish carol fits nicely over a Partido Alto Latin feel. The two-measure ostinato dances under a legato melody played by five saxes and a flugelhorn. Solo transcriptions for flugel and...

A cheerful Latin waltz with a pseudo-6/8 syncopation throughout, Abacus was written for the 2022 Indiana Junior All-State Jazz Ensemble. Optional vibes and auxiliary percussion round out a fully-orche...

A cheerful Latin waltz with a pseudo-6/8 syncopation throughout, Abacus was written for the 2022 Indiana Junior All-State Jazz Ensemble. Optional vibes and auxiliary percussion round out a fully-orche...

A cheerful Latin waltz with a pseudo-6/8 syncopation throughout, Abacus was written for the 2022 Indiana Junior All-State Jazz Ensemble. Optional vibes and auxiliary percussion round out a fully-orche...

A cheerful Latin waltz with a pseudo-6/8 syncopation throughout, Abacus was written for the 2022 Indiana Junior All-State Jazz Ensemble. Optional vibes and auxiliary percussion round out a fully-orche...