Jazz Ensemble with Solo Feature

Feature the vibes (or piano) with this creatively arranged standard that was written specifically for vibes legend Milt Jackson (heard on this excerpt). The melody is bookended by plaintive statements...

Feature the vibes (or piano) with this creatively arranged standard that was written specifically for vibes legend Milt Jackson (heard on this excerpt). The melody is bookended by plaintive statements...

Big Band (Solo clarinet with 5/4/3/4) Williams wrote Camel Hop and Roll 'Em for Benny Goodman while she was still with Andy Kirk's band, and in late 1946, Williams started writing for him again. At th...

Recorded by Count Basie as a feature for two trombones, this updated, advanced-level version for the SWR Big Band CD Fun Time now features four trombones out front and a strong ensemble chorus. Sammy...

Recorded by Count Basie as a feature for two trombones, this updated, advanced-level version for the SWR Big Band CD Fun Time now features four trombones out front and a strong ensemble chorus. Sammy...

Recorded by the SWR Big Band on the CD Fun Time, this tenor sax feature requires the backgorund volume to stay comfortable under the soloist. Save the volume for measure 28, and also the big build up...

As recorded by the Toshiko Akiyoshi-Lew Tabackin Big Band on the album Road Time, this feature for solo flute includes solo room for alto sax and piano as well. By contrasting a series of transparent,...

This piece has been in the catalog for a while, but it has been totally recomposed and notated in Finale. It now comes with a full score (and parts). It was written for Stan Kenton, and it features a...

This chart was recorded by the Count Basie Orchestra on the CD 'I Told You So.' It is a feature for your drummer. It also has solo space for tenor saxophone and piano (a la Basie). This rip-roaring ch...