Paul Clark
That's A Plenty
Paul Clark
That's A Plenty
- Instrumentation Jazz Ensemble
- Edition Score
- Composer Paul Clark
- Publisher C.L. Barnhouse Company
- Order no. 032-4126-01
incl. tax,
excl. shipping costs
Description:
Stellen Sie Ihrer Band und Ihrem Publikum mit diesem leicht vorzubereitenden Arrangement dieses grossartigen Jazzstandards etwas '2-Beat' und ein klein wenig Jazzgeschichte vor. 'That's a plenty' war ursprünglich ein Ragtime für Klavier und wird gemeinhin mit Dixieland-Musik in Verbindung gebracht. Dieses Arrangement macht diese Musik nun für Mittelstufen-Jazzbands verfügbar. Jede Section wird ihren Spass haben und es kommen sogar 'geschmierte' Töne in den Posaunen und einige kurze Soli für die Saxofone in der Ausgabe vor. Der Schlagzeuger bekommt Tom-Tom-Arbeit Ó la Gene Krupa, und während keine improvisierten Soli vorgesehen sind, kann eine (oder alle) Trompete ein ausgeschriebenes 'Call and Response'-Solo mit dem Rest der Band spielen. Diese Nummer ist ein garantierter Publikumshit!
Introduce your band and audiences to a little '2-beat' and some Jazz history with this easy to prepare arrangement of this great jazz standard. Originally a ragtime piano piece, 'That's-A-Plenty' is most commonly associate with Dixieland music. This arrangement now makes it available to jazz bands at the medium-easy level. There's lots of fun for all the sections, including some 'smeared' notes for the bones and some short solis for the saxes. The drummer gets some tom-tom work a la Gene Krupa, and while there are no improvised solos, one (or all) of the trumpets gets to do a written out 'call and response' solo back and forth with the rest of the band. This one is a guaranteed crowd pleaser!
Introduce your band and audiences to a little '2-beat' and some Jazz history with this easy to prepare arrangement of this great jazz standard. Originally a ragtime piano piece, 'That's-A-Plenty' is most commonly associate with Dixieland music. This arrangement now makes it available to jazz bands at the medium-easy level. There's lots of fun for all the sections, including some 'smeared' notes for the bones and some short solis for the saxes. The drummer gets some tom-tom work a la Gene Krupa, and while there are no improvised solos, one (or all) of the trumpets gets to do a written out 'call and response' solo back and forth with the rest of the band. This one is a guaranteed crowd pleaser!
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