Paul Clark
You Can't Keep A Good Band Down
Paul Clark
You Can't Keep A Good Band Down
- Instrumentation Jazz Ensemble
- Edition Score
- Composer Paul Clark
- Publisher C.L. Barnhouse Company
- Order no. 032-4127-01
incl. tax,
excl. shipping costs
Description:
Dies ist ein grossartiges Konzert- oder Wettbewerbsstück für Bands auf diesem Leistungsniveau. Sobald die Noten 'in den Fingern' sind, swingt die Nummer und präsentiert die ganze Band. Die Umfänge und Rhythmen sind sehr vernünftig gehalten, aber der Reiz der Nummer geht weit über die Noten hinaus! Die Einleitung ist ein Piano-Vamp, danach spielen die Saxofone gemeinsam die Melodie. Die Trompeten stimmen mit den Altsaxofonen ein, während Posaunen und Tenorsaxofone die Begleitung übernehmen. Die Posaunen und Saxofone spielen dann eine Bridge, bevor das ganze Ensemble in den offenen Soloteil übergeht. Nach den Soli beruhigt sich alles. Dann aber baut sich ein wahrhaft feuerwerksartiges Ende auf...
This is a great contest/concert selection for band's at this grade level. Once the notes get 'under the fingers' it swings hard and shows off the whole band. The ranges and rhythms are very reasonable, but the excitement generated is off the charts! The intro is a piano vamp, followed by the saxes playing the melody in unison. The trumpets then join the altos, while the bones and tenors play some background punches. The bones and saxes trade off playing the bridge, and then full ensemble plays up to the open solo section. Following the solos, everything quiets way down and the gradual buildup to a real flag-waver of an ending begins
This is a great contest/concert selection for band's at this grade level. Once the notes get 'under the fingers' it swings hard and shows off the whole band. The ranges and rhythms are very reasonable, but the excitement generated is off the charts! The intro is a piano vamp, followed by the saxes playing the melody in unison. The trumpets then join the altos, while the bones and tenors play some background punches. The bones and saxes trade off playing the bridge, and then full ensemble plays up to the open solo section. Following the solos, everything quiets way down and the gradual buildup to a real flag-waver of an ending begins
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