Sara Gamarro

Cantare Italiano

Handbook with a practical method of study, aimed at singers and masters of Singing, collaborating and reviewing masters, composers, chorus and orchestra directors, directors and all musicians who want to understand the profound meaning of legato and Italian phrasing.The first handbook written in Italy on the subject, it is the result of decades of experience in teaching the subject specifically by the author, an esteemed professional and coach of international opera stars.

A text that has as its subject, in addition to diction itself, various aspects of the subject: from the power that the word, if well-dictated, has on the human soul, to what the composer's dramaturgical-musical needs were in requiring it from the librettist, to the inextricable implications of such bene-dizione with operatic vocal technique, which is the structural prerogative of Italian and which has exported it to in-singing audiences worldwide for 400 years.