Choir, Vocals

Sara Teasdale's poem, The Mystery, depicts deep lasting love - 'Your eyes drink of me' and 'We have long been lovers'. It also raises a question - 'Can I ever know you / Or you know me?' Stephen Chatm...

The opening line of Sara Teasdale's poem, After Love, 'There is no magic any more, ' establishes the theme of vanishing love. Stephen Chatman's setting of the poignant text, in the key of E flat major...

This piece is a fast, joyous outburst. The initial lines, 'I am wild, I will sing to the trees' set the jubilant tone. The perpetual motion of the syllabic step-wise vocal lines is punctuated by stacc...

The text by Edna St. Vincent Millay, speaks of a youthful all-night adventure riding the ferry back and forth with no destination in mind. There is much back-and-forth in the musical setting, to a swa...

After 'Nunc dimittis' (ED 20242) and 'Magnificat' (ED 20150), Naji Hakim now presents 'Verbum caro factum est' (And the word became flesh), his third sacred work for three high voices and organ. The m...

Frauenchor - SSA {20./21. Jahrhundert}

Frauenchor - SSA {20./21. Jahrhundert}

Frauenchor - SSA {20./21. Jahrhundert}

Frauenchor - SSAA Renaissance/Barock

Frauenchor - SSAA Renaissance/Barock

Frauenchor - SSAA Renaissance/Barock

Frauenchor - SSAA Romantik

Frauenchor - SSAA Renaissance/Barock

Frauenchor - SSAA Renaissance/Barock

Frauenchor - SSAA Renaissance/Barock

Frauenchor - SSAA Renaissance/Barock

Frauenchor - SSAA Renaissance/Barock

Frauenchor - SSAA Renaissance/Barock

Frauenchor - SSAA Renaissance/Barock

Frauenchor - SSA Renaissance/Barock

Frauenchor - SSA {20./21. Jahrhundert}

Frauenchor - SSAA {20./21. Jahrhundert}

Frauenchor - SSA {20./21. Jahrhundert}

Frauenchor - SSA {20./21. Jahrhundert}

Frauenchor - SSA {20./21. Jahrhundert}