Choir, Vocals

This is an unusual setting of the text, in that after an ethereal opening, a contralto/mezzo-soprano soloist sings the Magnificat text while the female chorus interpolates with other texts in praise o...

Emily Dickinson's springtime text comes alive in this bright and graceful setting for treble voices. Beginning in unison and gradually blossoming to three voice parts, this song features a flowing pia...

This beloved aria appears in Act II of Puccini's La Bohème showcases Musetta's over-the-top confidence. Here's an approachable two-minute arrangement of the flirtatious waltz fitted with glorious thre...

Fear Thou Not was commissioned by the award-winning Swedish female vocal ensemble Les Jolies. The piece describes how one can move from doubt to faith through the voice of God, which is both admonishi...

World premiere on May 26, 2005 in Hanover, 30th German Protestant Church Congress: Marktkirche, MädchenChor Hannover, conducted by Gudrun Schröfel

Frauenchor (SSAA) oder Männerchor (TTBB) mit Solo a cappella oder mit 4 Hörnern in F

3 gleiche oder gemischte Stimmen (SAA oder SAT) - mit unterlegtem Klavierauszug

Frauen- oder Kinderchor (SSAA)

Frauenchor (SMezA) - norwegisch - deutsch

Frauen- oder Kinderchor (SMezA)

Frauenchor (SMezA) - lateinisch - deutsch

Frauenchor (SMezA) - französisch - deutsch

Frauen- oder Kinderchor (SSAA)

Frauenchor (SSMezA) - lateinisch

Two of the best-known and most popular folk songs from the British Isles, arranged by the English choral expert Malcolm Goldring, the director of the 'Open Singing' event at the festival 'Europa Canta...

Peteris Vasks' strong attachment to his Latvian home country shows particularly in his choral music. Nature, customs and traditions as well as the idea of freedom are the central themes of the texts h...