Choir, Vocals

Part-song for SSATBB Choir A Cappella. Text: Fritz B. Hart.

A Part-Song setting the text of Christina Rosetti. For SSATB Choir A Cappella.

J. S. Bach's Jesus, Meine Freude (Jesu, Du Min Glde) and Nun Ruhen Alle Wälder (Nu Hviler Mark Og Enge) for unaccompanied SATB. In German and Danish.

D. Faktori's Hava Naglia for unaccompanied SATB choir.

The familiar William Blake poem is set here in solid four-part writing with brief divisi in the soprano and alto parts. Part of the Duke Chapel Series.

An a cappella version of this familiar carol. The arrangement features the tenor section in the beginning and includes a unique canonic treatment in the middle stanza.

Two short psalm settings on much used Psalms. These settings may be used as introits or prayer responses.

This brief, deeply moving setting of a traditional Latin hymn is appropriate for worship or concert use.

An original composition using the traditional English carol text so often heard in the Advent season. The piece is rhythmic with a contrasting middle section. It has a recurring motif that is passed b...

A bouyant a cappella setting of tis well-known Christmas text. This award winning composition is part of the Duke Chapel series.

A sublime setting of this much loved prayer. The piece exhudes serenity and devotion. 

Imaginative writing characterizes this thoughtful setting of Thomas Aquinas' 13th-century Eucharistic hymn. The tension and release achieved both within each phrase and across the work lends emotion t...

Bridging the ancient and the modern, Culloton has created a contemporary setting of this old English carol.

A bright choral fanfare based on Matthew 5:14-16. Part of the Washington National Cathedral Series.

A beautiful a cappella composition based on a much used text by Bernard of Clairvaux (1090-1153). A singable English text is provided. The setting features accessible and solid part-writing. 

A rousing setting of an old Shaker tune. Set to a brisk marching pace.

A brief motet that can fit several places during the season of Lent. The musical setting captures the expressiveness of the scripture from Isaiah 53:4. 

The Evening Hymn, Te lucis ante terminum, is sung at the ‘Office of Compline’, also referred to as ‘Prayers at the End of the Day’. Its exact origin is unknown, although a version thereof was found in...

A setting of Psalm 51:1,2 which is often used during Lent. This a cappella motet features both independent choral lines as well as rich chords.