Choir, Vocals

Setting a moving text inspired by Chief Seattle, Quartel appeals for better stewardship of the planet through gentle flowing lines and expansive textures. The melodies are accessible throughout and we...

This upper-voice version of John Rutter's enduringly popular Star Carol is compatible with both full and reduced orchestrations, as well as being suitable for performance with piano accompaniment alon...

Halloran's setting of this spiritual has long been established as the definitive arrangement. Dick Bolks has revoiced it for SSAA choir and included an accompaniment. Jack's classic edition rings thro...

Jones has masterfully created an Italian song for emerging treble choirs that affords an introduction to limited Italian text in a fun, accessible setting. Well worth the effort, whether performed wit...

Three sacred songs, op. 69,3 for three-part female choir. With music by Josef Gabriel Rheinberger.

The theme tune to the BBC TV series 'The Vicar of Dibley' has already joined the ranks of best-loved TV themes - not surprising when one considers that its composer has written many other memorable th...

High voice

Italienisch / Deutsch Ausgabe für Hohe Stimme und Klavier.

The Wings Of Sleep, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.

A Brown Bird Singing, written by Haydn Wood with words by Royden Barrie, arranged for voice and piano in the key of F Major.

This voice/guitar transcription of this set (originally for voice and piano) had been out of print for decades. A new introduction addresses this 1914 set. Spanish text only.

The hidden sadness and frustration of living as a moral outcast, the attempt to simulate innocence in frivolous living and the desperate search for relief from pain and anguish, the destruction of all...

These Two Lullabies were composed in 2002 by Arvo Pärt. The first, a Christmas Lullaby, is set for one singing voice and piano, the second, an Estonian Lullaby requires two female voices and piano. Bo...

No, it is not only Bach/Gounod when hearing the Ave Maria: Camille Saint-Saëns (1835-1921), too, set this text to music several times - for example, for organ (without pedal) and two identical voices....

Frauenstimme, Männerstimme und Klavier (Orgel).