Modern to Classical Choir Sheet Music
Find the right choir sheet music for every ensemble, occasion and musical style. Our extensive selection includes more than 254,000 titles for a wide range of choral settings, from traditional and classical repertoire to contemporary arrangements.
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Whether you’re looking for repertoire for a school choir, church choir, vocal ensemble or concert performance, you’ll find music for singers of all ages and experience levels. We offer fast delivery and free shipping when the minimum order value for your region is reached.
The melody and text of this traditional carol were first collected in 1968 by the composer Peteris Plakidis, in Katlakalns (a district of Riga). It is here arranged for unaccompanied SSA voices by Sel...
The melody and text of this traditional carol were first collected in 1968 by the composer Peteris Plakidis, in Katlakalns (a district of Riga). It is here arranged for unaccompanied SSA voices by Sel...
- Women's Choir (SSA)
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- Oxford University Press
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Acalentándo Jesús is a gentle lullaby for the newborn baby Jesus by Brazilian composer Ernani Aguiar. Here the original text by Gerson Galle is presented alongside English words by Jeremy Jackman.
Acalentándo Jesús is a gentle lullaby for the newborn baby Jesus by Brazilian composer Ernani Aguiar. Here the original text by Gerson Galle is presented alongside English words by Jeremy Jackman.
- Women's Choir (SSA)
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- Oxford University Press
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Scored for unaccompanied SSAA voices, this vibrant setting of Isaiah 9: 6 draws on the rhythms and textures of modern Nigerian art music in a setting full of dynamic contrast. A version for SATB voice...
Scored for unaccompanied SSAA voices, this vibrant setting of Isaiah 9: 6 draws on the rhythms and textures of modern Nigerian art music in a setting full of dynamic contrast. A version for SATB voice...
- Women's Choir (SSA)
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- Oxford University Press
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Hyun Chul Lee's carol Ju Nashuhtdah welcomes the newborn king with the jubilant acclamation 'Jesus is born'. Using Korean traditional rhythms, and a pentatonic melody, he creates a bright feeling of e...
Hyun Chul Lee's carol Ju Nashuhtdah welcomes the newborn king with the jubilant acclamation 'Jesus is born'. Using Korean traditional rhythms, and a pentatonic melody, he creates a bright feeling of e...
- Women's Choir (SSA)
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- Oxford University Press
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In this carol for unaccompanied SSA voices Séamas de Barra sets Séamus Ó Néill's translation of I sing of a maiden (both version of the text are presented in the score).
In this carol for unaccompanied SSA voices Séamas de Barra sets Séamus Ó Néill's translation of I sing of a maiden (both version of the text are presented in the score).
- Women's Choir (SSA)
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- Oxford University Press
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With lilting rhythms and modal inflections in the harmony, this short, unaccompanied motet celebrates The Annunciation of Our Lord to the Blessed Virgin Mary. Includes an English translation of the La...
With lilting rhythms and modal inflections in the harmony, this short, unaccompanied motet celebrates The Annunciation of Our Lord to the Blessed Virgin Mary. Includes an English translation of the La...
- Women's Choir (SSA)
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- John Scott
- Oxford University Press
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O fear the Lord sets two verses from Psalm 34. A controlled organum-style opening gives way to a more fervent, harmonic middle section. An approachable and beautiful piece.
O fear the Lord sets two verses from Psalm 34. A controlled organum-style opening gives way to a more fervent, harmonic middle section. An approachable and beautiful piece.
- Women's Choir (SSSA)
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- Oxford University Press
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This a cappella anthem, suitable as an introit or call to worship, was inspired by Celtic folksong and is available here in German translation.
This a cappella anthem, suitable as an introit or call to worship, was inspired by Celtic folksong and is available here in German translation.
- Women's Choir (SSA)
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- Oxford University Press
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Setting inspiring words by James Weldon Johnson, My heart be brave is an ideal choice for choirs looking to address issues of social justice in their programming. Also available in mixed- and lower-vo...
Setting inspiring words by James Weldon Johnson, My heart be brave is an ideal choice for choirs looking to address issues of social justice in their programming. Also available in mixed- and lower-vo...
- Women's Choir (SSSSA)
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- Oxford University Press
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This is a substantial setting of the canticles of Mary and Simeon, suitable for both concert and liturgical settings The choral writing features fugal counterpoint and a chromatic soundworld rooted ar...
This is a substantial setting of the canticles of Mary and Simeon, suitable for both concert and liturgical settings The choral writing features fugal counterpoint and a chromatic soundworld rooted ar...
- Women's Choir (SSSA)
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- Oxford University Press
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- Women's Choir (SSA)
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- Oxford University Press
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The polyphonic writing in this joyous motet for Eastertide includes both rhythmic and melismatic passages to reflect the celebratory text. The piece concludes with a brief section in triple metre, and...
The polyphonic writing in this joyous motet for Eastertide includes both rhythmic and melismatic passages to reflect the celebratory text. The piece concludes with a brief section in triple metre, and...
- Women's Choir (SSSA)
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- Mark Keane
- Oxford University Press
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Snow Angel is an evocative five-movement work exploring themes of love, rebirth, and beauty. It may be performed with narration and features a haunting cello line. The emotive and pictorial musical la...
Snow Angel is an evocative five-movement work exploring themes of love, rebirth, and beauty. It may be performed with narration and features a haunting cello line. The emotive and pictorial musical la...
- Women's Choir (SA)
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- Oxford University Press
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Three songs make up this cycle entitled Western Songs - 'Buffalo Gals', 'Green Grow the Lilacs', and 'Ol' Chisholm Trail'. The arrangements by turn spin contrapuntal and antiphonal textures then relax...
Three songs make up this cycle entitled Western Songs - 'Buffalo Gals', 'Green Grow the Lilacs', and 'Ol' Chisholm Trail'. The arrangements by turn spin contrapuntal and antiphonal textures then relax...
- Women's Choir (SSA)
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- Oxford University Press
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This lyrical setting of a text by Colin Coppen has an elegant melody and flowing piano accompaniment. It would make a charming addition to any concert or service, and is also available in a version fo...
This lyrical setting of a text by Colin Coppen has an elegant melody and flowing piano accompaniment. It would make a charming addition to any concert or service, and is also available in a version fo...
- Women's Choir (SSAA)
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- Oxford University Press
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Truly uplifting and appropriately joyful, this carol is ideal for a Christmas service or concert. Instrumental material is available on hire.
Truly uplifting and appropriately joyful, this carol is ideal for a Christmas service or concert. Instrumental material is available on hire.
- 2 Women's Choirs (SSAA)
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- Oxford University Press
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In Grown about by fragrant bushes, Skempton sets a poem by Robert Louis Stevenson using gentle, lilting melodies. The theme of loss is sensitively conveyed in a tonal language that is made more expres...
In Grown about by fragrant bushes, Skempton sets a poem by Robert Louis Stevenson using gentle, lilting melodies. The theme of loss is sensitively conveyed in a tonal language that is made more expres...
- Women's Choir (SSAA)
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- Oxford University Press
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The strong homophonic opening of this motet, in honour of St Michael the Archangel, the defender in battle against all things evil, makes an impactful statement, before exploring the intricate weaving...
The strong homophonic opening of this motet, in honour of St Michael the Archangel, the defender in battle against all things evil, makes an impactful statement, before exploring the intricate weaving...
- Women's Choir (SSAA)
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- Mark Keane
- Oxford University Press
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The text of this motet is taken from the Palm Sunday antiphon, which celebrates the entry of Jesus into Jerusalem. The repeated 'hosanna' phrases at the end of the motet bear witness to Palestrina's m...
The text of this motet is taken from the Palm Sunday antiphon, which celebrates the entry of Jesus into Jerusalem. The repeated 'hosanna' phrases at the end of the motet bear witness to Palestrina's m...
- Women's Choir (SSAA)
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- Mark Keane
- Oxford University Press
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- Women's Choir (SSAA)
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- Oxford University Press
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Ante luciferum genitus is the first antiphon of Lauds for the Feast of the Epiphany and culminates with cascading, descending 'alleluia's. Originally scored for lower voices, the motet is presented he...
Ante luciferum genitus is the first antiphon of Lauds for the Feast of the Epiphany and culminates with cascading, descending 'alleluia's. Originally scored for lower voices, the motet is presented he...
- Women's Choir (SSSAA)
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- Mark Keane
- Oxford University Press
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Likely to date from the early part of the composer's career, this motet has a relentlessly dense texture, but the clever use of well-shaped phrases and dynamics, informed by the text, leads to an exci...
Likely to date from the early part of the composer's career, this motet has a relentlessly dense texture, but the clever use of well-shaped phrases and dynamics, informed by the text, leads to an exci...
- Women's Choir (SSSAA)
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- Mark Keane
- Oxford University Press
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Victoria captures the sorrow of the Passion by sustained homophonic writing from the start and subtle points of imitation. The use of a descending melodic line depicting the sorrow of the text is one...
Victoria captures the sorrow of the Passion by sustained homophonic writing from the start and subtle points of imitation. The use of a descending melodic line depicting the sorrow of the text is one...
- Women's Choir (SSAA)
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- Mark Keane
- Oxford University Press
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The darkness evoked in this piece mirrors not only the title word 'Tenebrae', but also the intense grief of the crucifixion, as Jesus gives up his spirit.
The darkness evoked in this piece mirrors not only the title word 'Tenebrae', but also the intense grief of the crucifixion, as Jesus gives up his spirit.
- Women's Choir (SSAA)
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- Mark Keane
- Oxford University Press
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This joyful motet begins with a compelling homophonic opening, before exploring imitative writing between all voices. A contrasting motif of descending scales is introduced halfway through to reflect...
This joyful motet begins with a compelling homophonic opening, before exploring imitative writing between all voices. A contrasting motif of descending scales is introduced halfway through to reflect...
- Women's Choir (SSAA)
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- Mark Keane
- Oxford University Press
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Choir Sheet Music by Publisher
Choir Sheet Music
Voicing: Sheet Music for Mixed, Children’s, Women’s & Men’s Choirs
Female voices are generally divided into soprano (S), mezzo-soprano and alto (A), while male voices are divided into tenor (T), baritone and bass (B). In choral music, mezzo-soprano and baritone parts may also be designated as Soprano II and Alto I, or Bass I and Bass Baritone, depending on the arrangement.
Styles & Genres: From Modern Pop Songs to Classical Choral Music
Prefer classical repertoire? Explore choir sheet music featuring works by renowned composers such as Carl Orff and Johann Sebastian Bach.
Choir Sheet Music by Renowned Artists: John Rutter and Leonard Cohen
Sacred & Seasonal Choir Music for Every Occasion
For Easter and other religious occasions, explore a wide range of sacred choral works by composers from different periods and musical traditions. A popular example is Cantate Domino.
Are you looking for suitable choir sheet music for a funeral or memorial service? Our selection includes solemn and moving choral works for these special occasions. Examples include Eternal Light: A Requiem by Howard Goodalls and Mozart's Requiem in D minor, KV626.
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