Sheet Music for Choir

Text by George Mackay Brown and from The St Magnus Prayer.

The text of Karakia is a traditional Maori prayer, a homage to the elements and rhythms of nature. Every pitch in the piece is derived from the name of the composer's mother, who was born in New Zeala...

Gerald Barry's The coming of winter is a setting of an Irish poem dating from the 9th or 10th century, and was commissioned for the 34th Seminar on Contemporary Choral Music at University College, Cor...

Charm me Asleep is a gentle, lilting piece with a beautiful melody and homophonic texture. This is one of a pair of works, along with Slow, Slow, Fresh Fount, written by Watkins for the Cardiff Polyph...

A beautiful work of contemporary polyphony in which shifting textures create momentary dissonance. An alluring melody passes between the voice parts.This work can be performed alone or as a pair with...

A setting of a text by William Blake from his collection of poems Songs of Innocence and Experience for SATB choir, harp and strings. The poem is a lullaby in which a mother hopes her sleeping baby's...

Bindung: Rückendrahtheftung

Penderecki's St. Luke's Passion is one of the most important chorals works of the 20th century. It is the first convincing piece that combines avant-garde techniques with liturgical content. At one mo...

gemischter Chor (SATB) und Gemeinde (ad lib.)

The concert has been hugely successful. The audience is still applauding and calling for more. What you need now is a quick encore piece to end the concert on a high. This selection of closing and enc...

'Lay VII' is part of the extensive cycle of the Machaut Transcriptions (ED 21070) in which Holliger studies the great 14th-century poet-musician in different levels of arrangement. The original Lay VI...

Like most of his compositions, Rolf Rudin's Latin-language Ave Crux, Spes Unica (Hail the Cross, Our Only Hope) for mixed choir, percussion and organ was commissioned for a special event - in this cas...

Chorpartitur - gemischter Chor

Chor (2-6 stimmig)

gemischter Chor (SATB), 3 (2) Klaviere und Schlagzeug (5 Spieler)

Chorpartitur (dt./engl.) - gemischter Chor (SAATBB) und 2 Klaviere

Ligeti illustre d'abord la transition de la nuit au jour par un double canon à huit voix, puis dans un style s'approchant de plus en plus du motet. Avec des onomatopées comme le chant du coq, le tic-t...

gemischter Chor (SATB) und kleines Orchester oder Klavier