Bob Chilcott

Salisbury Vespers combines settings of the traditional Vespers psalms and anonymous early texts. Marian motets punctuate the psalm settings, and the work is concluded with a substantial setting of the...

This is a magical setting of a profound and impressionistic text by the contemporary poet A. D. Hope, which describes the burgeoning of the soul as though the heart itself is 'singing' from within the...

These charming settings of riddles by Bob Chilcott's long-term collaborator Charles Bennett were originally published as part of the environmental cantata The Angry Planet. Here rescored for two-part...

Commissioned by the New Orlean's Children's Chorus for the 2005 Crescent City Festival, this work is to be performed 'cool but with a swing'.

Four songs exploring a variety of 'green' issues for SS and piano. The songs are fun, funky, and totally up-to-date, with jazzy rhythms and some rap-style verses to really get young choirs and their a...

For children's chorus, piano, bass guitar, xylophone, congas

For youth choir with parts for SSA, highs, middles, and lows (for boys' changing voices). This is a magical setting of a profound and impressionistic text by the contemporary poet A. D. Hope, which de...

This is a setting of a text by Guyanese-British poet John Agard, which describes how eighteenth-century slave-trader John Newton became an abolitionist. Featured on Orphei Drangar's CD, De Profundis:...

Burk weaves joyful and declamatory passages with moments of pensiveness, with an extended harmonic vocabulary throughout. Offprinted from Carols for Choirs 6.

Composed for the Feast of Corpus Christi, this setting has a poise and beauty rare in choral music. Jackson uses the full sonic opportunities offered by the divided scoring, moving effortlessly from c...

For TTBarBB and percussion. This is a powerful setting of a darkly vivid poem by Edwin Brock, which explores the theme of the futility of war. Scored for male voices, with jumpy rhythms and chromatic...

Setting a Native American text, The Song of the Stars is a bright and rhythmic piece scored for double upper-voice choir. Featuring rhythmic ostinatos, imitative effects, and rich harmonies, this is a...

This compelling a cappella setting of Henry Van Dyke's poem has a continual sense of motion, created by the 7/8 metre and scat singing style that is passed around the parts. A powerful and uplifting a...

Setting a Native American text, The Song of the Stars is a bright and rhythmic piece scored for double upper-voice choir. Featuring rhythmic ostinatos, imitative effects, and rich harmonies, this is a...

A bright and breezy piece with a charming text by Charles Bennett, A Tree of Song begins with a jaunty 7/8 figure which recurs throughout the piece, with the melody floating above. Alternation between...

This piece was composed in honour of the centenary of Marconi's first trans-oceanic wireless signal. The theme of the work, sound waves, is evoked through overlapping phrases sung ad lib., and the mus...

- Dual-language publication suitable for Japanese- or English-speaking choirs - Japanese texts included in the score and separately as an appendix - English singing translations by the prize-winning p...

A setting of Psalm 127 (Unless the Lord builds the house), this compelling anthem possesses a luminescent quality supported by radiant harmonic textures. It is framed by Latin text taken from the Saxo...

This serene, reflective anthem is a rich addition to the Choral Evensong repertoire. Chilcott artfully entwines an original setting of William Fuller's 'Evening Hymn', most famously set by Henry Purce...

Setting a text by Sister Polly M. Rupe, Gentle Words is a comforting reflection on the power of kindly spoken words, both for the giver and receiver. Built on a supportive keyboard part, the choral pa...

SSAA and piano Setting an uplifting hymn by Timothy Dudley-Smith, I lift my eyes is a rousing anthem that will appeal to all upper-voice choirs. Unison sections are contrasted with imitative writing,...

for SA (with divisions) and piano Red Boots On is a funky setting of a poem by Kit Wright, brought to life by Chilcott's jazzy chords and groovy syncopated rhythms. The melody begins in unison and gro...

This is a beautiful setting of an anonymous medieval text that follows a broken-hearted lover into the woods. Fluctuating between major and minor keys, Chilcott's melody is full of nostalgia and grows...

Singing Children' is an upbeat, optimistic piece featuring scat-like vocalizations, extended unison passages, syncopations, and intuitive harmonies. The composer has adapted a song from the Elizabetha...