Sheet Music for Various Choirs

For two-part or SATB and piano - A fun and simple carol.

For unison voices (with optional divisi), oboe, and organ

For unison voices and piano - No. 1 of Three Children's Songs

This version makes one of John Rutter's most beloved carols accessible to unison choirs. Pont's arrangement is a shortened version with a simplified piano accompaniment.

Unison voices and organ

Unison voices, piano, and cello. David Giardiniere's arrangement of My Own Country, composed by Peter Warlock in 1927, adds a cello part which reinvigorates Warlock's great melody and gives it a fresh...

This brand new edition of The Chorister's Companion is packed full of useful information for the budding chorister. It provides everything a new chorister needs to know in one handy pocket-sized book....

The Voice for Life White Level Workbook is the first book in the series of workbooks for singers. It introduces the concepts of singing well, musical knowledge, understanding the music we sing and bel...

Voice for Life is designed to help you discover what your voice can do, and then strengthen it. It will improve your knowledge and understanding of music, and help you look at what it means to be a si...

Voice for Life is designed to help you discover what your voice can do, and then strengthen it. It will encourage you to learn about music and look at what it means to be a singer and a member of a ch...

Voice for Life is designed to help you discover what your voice can do, and then strengthen it. It will encourage you to learn about music and look at what it means to be a singer and a member of a ch...

Voice for Life is designed to help you discover what your voice can do, and then strengthen it. It will encourage you to learn about music and look at what it means to be a singer and a member of a ch...

Every choir needs a leader to inspire, train and direct it. That person needs all kinds of musical, social, and administrative skills, and these are all explored in depth in The Voice for Life Guide t...

Mark De-Lisser, vocal coach on BBC's 'The Voice' and Dominic Peckham, classical choral ambassador, explain how to take your choir to the next level. Many choirs are run by untrained/self-taught choral...

I wrote this melody for choir and piano in 2006 on the poem by Charles Baudelaire. It is somewhat of an exception, as all my other vocal works are based on sacred texts. It was premiered by the choir...

The Kit-Musique cycle is made up of open scores offering solo singers or ensembles the chance to perform a piece that involves a degree of randomness, (re)composition, invention or improvisation, gest...

My music often stems from a desire to engage in dialogue, to compare it with ancient repertoires; these are often tributes to the repertoires that nourish me, and so we will find reminiscences of, and...

The Kit-Musique cycle is made up of open scores offering solo singers or ensembles the chance to perform a piece that involves a degree of randomness, (re)composition, invention or improvisation, gest...

The Kit-Musique cycle is made up of open scores offering solo singers or ensembles the chance to perform a piece that involves a degree of randomness, (re)composition, invention or improvisation, gest...

The Kit-Musique cycle is made up of open scores offering solo singers or ensembles the chance to perform a piece that involves a degree of randomness, (re)composition, invention or improvisation, gest...

The Pater Noster and the Ave Maria are written for a vocal ensemble with a minimum of 4 sopranos, 4 altos, 5 tenors and 4 basses. Both pieces are equally suited to concert performance (grouped or sepa...

Taken from my Trois Psaumes, this Psaume 115 is meant for the liturgy as well as for the concert. It was composed in 2011, for mixed voices and organ. The set of the Trois Psaumes was then recorded tw...

Ingo Hoesch has given many lectures on voice training, vocal physiognomy and breathing technique in recent years. Dozens of choirs have enjoyed these lectures and improved their quality with their he...

I testi poetici e i criteri di trascrizione; Il testo musicale: testimoni e criteri editoriali; Apparato critico