Classical Music

Robinson's playful arrangement of this beloved Shaker tune is rhythmically diverse, has interesting harmonies, varied melodic pairings and a supportive yet interesting accompaniment. Simple Gifts is s...

Farnell has adapted "Welcome, welcome mighty king" from Handel's oratorio Saul, creating an accessible two-part treble /optional unison arrangement that is perfect for young treble singers.

Remel Derrick's Anywhere is Home is a heartfelt and uplifting piece for tenor-bass choir, featuring original music and lyrics. This inspiring song explores the search for belonging and the realization...

Sleep, Beauty Bright, based on William Blake's A Cradle Song, captures a mother's quiet awe and love as she gazes at her sleeping baby. Written for SSA choirs, the setting begins in unison and gradual...

Lush, lovely, and harmonically rich, the SSA version of this American solo standard brings a vocal 'classic' to younger treble singers who might not yet possess the dexterity to perform the original s...

Tompkins' enchanting melody is reminiscent of an antique music box, paired with a waltz-like accompaniment in a lilting 3/4 pattern.  Varied in texture, with unison, SA, and SSA sections, this piece c...

In his poem, High Flight, John Magee describes the delirious feeling of wheeling and soaring, and an intimate connection with the divine. Hunt reflects these feelings throughout his lyric unison melod...

Kendall's lovely and rhythmically interesting arrangement of Americana is highly suitable for treble choirs of all abilities. A pulsating accompaniment adds forward motion to this sparkling homophonic...

Your singers will love jumping into Courtney's fun, jaunty rendering of this beloved bit of Americana, which contains interplay between voice parts and engaging hand clapping. Also available for SATB...

The Haunting for SSA voices and piano is a spellbinding choral work that blends ethereal harmonies with hauntingly poetic text. Exploring themes of lingering spirits and echoes of the past, the piece...

In this setting of Abbie Farwell Brown's poetry, Tompkins transforms Brown's simple rhyme scheme into a vibrant interplay of homophonic and polyphonic textures. Centered around the second scale degree...

Little Tree consists of three short choral settings of poems by E. E. Cummings, with a total duration of around 6 minutes. The first song Little tree is in three voices(SSA); the next movement I carry...

Song For Athene' is a work by British composer John Tavener, arranged by Barry Rose for Upper Voices and Organ, with optional Cello. The text is taken from Shakespeare's 'Hamlet', as well as from the...

John Tavener's 'Awed By The Beauty', from 'The Veil Of The Temple'. This arrangement is for Upper Voices with Organ Accompaniment, by Barry Rose. The all-night vigil 'The Veil Of The Temple' was comm...

Holy Innocents is a work by Judith Weir for 2-part Soprano Chorus and Organ Accompaniment. Commissioned to mark the 20th Anniversary of St Albans Abbey Girls Choir, the piece sets a poem by Christina...

Day by Day was written for the Chamber Choir of Burntwood School and their conductor Debbie Lammin. It was first performed by them on 25th March 2019 at the Royal Festival Hall, London, as part of A B...

Asphodel is an aria based on Margaret Atwood's The Penelopiad to a libretto by Jeanne Pansard-Besson.

Commissioned by Simon Halsey CBE & Jack Apperley at the University of Birmingham for the singers of University Upper Voices. First performed by University Upper Voices directed by Jack Apperley on 11t...

Schumann verwendet für die Vertonung von 'Zigeunerleben' einen Rhythmus, der an einen Bolero oder Fandango erinnert, um dem Versmaß von Emanuel Geibel gerecht zu werden. Variationsreiche Stimmwechsel,...