Classical Music
52 Liedsätze und kleine Motetten überwiegend für gleiche Stimmen, einige für gemischte Stimmen (SAMSt), einige mit Ritornellen für 3 Melodieinstrumente ad lib. zum Gebrauch in Kirchen-, Schul- und Lai...
52 Liedsätze und kleine Motetten überwiegend für gleiche Stimmen, einige für gemischte Stimmen (SAMSt), einige mit Ritornellen für 3 Melodieinstrumente ad lib. zum Gebrauch in Kirchen-, Schul- und Lai...
- Women's Choir (SSA)
- Choral Score
- Bärenreiter Verlag
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> First Urtext edition with a detailed Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editor > Singing translations in German (by Max Brod) and English (by Bernard Keefe) > Numbers 9 to 11...
> First Urtext edition with a detailed Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editor > Singing translations in German (by Max Brod) and English (by Bernard Keefe) > Numbers 9 to 11...
- Soloists (AT), Female Choir (SSA) and Piano
- Piano Score
- Bärenreiter Verlag
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Inspired by workshops with the pupils of All Hallows School in Shepton Mallet, this work is about how the world around us can support us, change us, and lead us in our lives. The text is drawn from a...
Inspired by workshops with the pupils of All Hallows School in Shepton Mallet, this work is about how the world around us can support us, change us, and lead us in our lives. The text is drawn from a...
- Women's Choir (SA) and Piano
- Piano Score
- Boosey & Hawkes
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The 14th-century Eucharistic text 'Ave verum' has been set to music by many composers over the centuries, no doubt drawn to its vivid and powerful imagery. Todd first set the words (for SATB choir) in...
The 14th-century Eucharistic text 'Ave verum' has been set to music by many composers over the centuries, no doubt drawn to its vivid and powerful imagery. Todd first set the words (for SATB choir) in...
- Women's Choir (SA) and Piano
- Piano Score
- Boosey & Hawkes
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Written for Philip Redfern and the choir of St George's School, Edinburgh, who first performed it in December 2014, this is a refreshing new setting of the well-known Christmas carol. Will Todd's expe...
Written for Philip Redfern and the choir of St George's School, Edinburgh, who first performed it in December 2014, this is a refreshing new setting of the well-known Christmas carol. Will Todd's expe...
- Women's Choir (SA) and Piano
- Piano Score
- Boosey & Hawkes
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Let all the world in every corner sing was commissioned by Colston's Girls' School in Bristol for the Chamber Choir and their Director of Music Matthew Redman, and was written in August 2008 for the s...
Let all the world in every corner sing was commissioned by Colston's Girls' School in Bristol for the Chamber Choir and their Director of Music Matthew Redman, and was written in August 2008 for the s...
- Women's Choir (SSAA) and Organ
- Organ Score
- Boosey & Hawkes
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Composed for the Children's Chorus of Opera North, this piece is a setting for three high choral voices of Thomas Hardy's poem of the same name. The swaying style of a jazz waltz and the chromatic but...
Composed for the Children's Chorus of Opera North, this piece is a setting for three high choral voices of Thomas Hardy's poem of the same name. The swaying style of a jazz waltz and the chromatic but...
- Women's Choir (SSA) and Piano
- Piano Score
- Boosey & Hawkes
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The original version of Flight Song (for SATB) was written as a gift to Dr Anton Armstrong and the St Olaf Choir, Minnesota, with whom Arnesen has worked on a number of occasions. The SSAA version was...
The original version of Flight Song (for SATB) was written as a gift to Dr Anton Armstrong and the St Olaf Choir, Minnesota, with whom Arnesen has worked on a number of occasions. The SSAA version was...
- Women's Choir (SSAA) and Piano
- Piano Score
- Boosey & Hawkes
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- Women's Choir (SA) and Piano
- Choral Score
- Boosey & Hawkes
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Leokadiya Kashperova (1872-1940), hitherto consigned to a footnote in musical history as Stravinsky’s piano teacher, is undergoing rediscovery. A double graduate of the St Petersburg Conservatoire, sh...
Leokadiya Kashperova (1872-1940), hitherto consigned to a footnote in musical history as Stravinsky’s piano teacher, is undergoing rediscovery. A double graduate of the St Petersburg Conservatoire, sh...
- Soloists (SB), Female Choir (SSAA) and Piano
- Piano Score
- Boosey & Hawkes
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Combining a text by Charles Anthony Silvestri with syllables inspired by the song tradition (joik) of the Sami people in Scandinavia, Sing the earth is a tribute to our common home, the earth, as well...
Combining a text by Charles Anthony Silvestri with syllables inspired by the song tradition (joik) of the Sami people in Scandinavia, Sing the earth is a tribute to our common home, the earth, as well...
- Women's Choir (SSA)
- Piano Score
- Boosey & Hawkes
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Cantata mundi is a development of ideas first heard in Songs of Sanctuary, where the world of ethnic influenced (both in vocal sound and percussion) are combined with established Western European clas...
Cantata mundi is a development of ideas first heard in Songs of Sanctuary, where the world of ethnic influenced (both in vocal sound and percussion) are combined with established Western European clas...
- Women's Choir (SSA) and Piano
- Piano Score Download
- Boosey & Hawkes
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- Women's Choir
- Choral Score
- Boosey & Hawkes
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- Women's Choir (SSS)
- Score
- Boosey & Hawkes
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These songs were originally written for unaccompanied chorus. Later an orchestral accompaniment was added, and a piano reduction has been included for rehearsal purposes when preparing the choir for a...
These songs were originally written for unaccompanied chorus. Later an orchestral accompaniment was added, and a piano reduction has been included for rehearsal purposes when preparing the choir for a...
- Women's Choir
- Choral Score
- Boosey & Hawkes
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These songs were originally written for unaccompanied chorus. Later an orchestral accompaniment was added, and a piano reduction has been included for rehearsal purposes when preparing the choir for a...
These songs were originally written for unaccompanied chorus. Later an orchestral accompaniment was added, and a piano reduction has been included for rehearsal purposes when preparing the choir for a...
- Women's Choir
- Choral Score
- Boosey & Hawkes
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The Ceremony of Carols is one of Britten's best-known and most-performed works. It is a brilliantly conceived and dramatic concert work which sees the voices process to their places singing unaccompan...
The Ceremony of Carols is one of Britten's best-known and most-performed works. It is a brilliantly conceived and dramatic concert work which sees the voices process to their places singing unaccompan...
- Women's Choir (SSA) and Harp
- Choral Score
- Boosey & Hawkes
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These songs were originally written for unaccompanied chorus. Later an orchestral accompaniment was added, and a piano reduction has been included for rehearsal purposes when preparing the choir for a...
These songs were originally written for unaccompanied chorus. Later an orchestral accompaniment was added, and a piano reduction has been included for rehearsal purposes when preparing the choir for a...
- Women's Choir (SA)
- Choral Score
- Boosey & Hawkes
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Three contrasting pieces of music from the third album in the Adiemus series, Dances of Time: Rain Dance, La la la Koora and Dos a Dos are written in Jenkins's trademark fusion of world and classical...
Three contrasting pieces of music from the third album in the Adiemus series, Dances of Time: Rain Dance, La la la Koora and Dos a Dos are written in Jenkins's trademark fusion of world and classical...
- Women's Choir (SSA)
- Piano Reduction
- Boosey & Hawkes
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- Women's Choir (SSA) and Piano
- Piano Score
- Boosey & Hawkes
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- Women's Choir (SSA) and Piano
- Piano Score
- Sue Furlong
- Boosey & Hawkes
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- Women's Choir (SA) and Piano
- Piano Score
- Boosey & Hawkes
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- Women's Choir (SA) and Piano
- Piano Score
- Boosey & Hawkes
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- Women's Choir (SSA), Flute and Piano
- Piano Score
- Boosey & Hawkes
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- Women's Choir (SSA), Flute and Piano
- Piano Score
- Boosey & Hawkes
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