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Anton Bruckner
Antiphon

This Lenten antiphon was probably composed during Bruckner's studies in Kronstorf around 1843-1844.

This Lenten antiphon was probably composed during Bruckner's studies in Kronstorf around 1843-1844.

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Anton Bruckner
Antiphon

This Lenten antiphon was probably composed during Bruckner's studies in Kronstorf around 1843-1844.

This Lenten antiphon was probably composed during Bruckner's studies in Kronstorf around 1843-1844.

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Anton Bruckner
Motet

After ending his studies with Sechter, Bruckner wrote his Ave Maria in 1861. On October 3, 1861 he reported in a letter: "I was, in the end, splendidly aplauded by my choir—twice.“ In this very sound-...

After ending his studies with Sechter, Bruckner wrote his Ave Maria in 1861. On October 3, 1861 he reported in a letter: "I was, in the end, splendidly aplauded by my choir—twice.“ In this very sound-...

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Anton Bruckner
Motet

After ending his studies with Sechter, Bruckner wrote his Ave Maria in 1861. On October 3, 1861 he reported in a letter: "I was, in the end, splendidly aplauded by my choir-twice.“ In this very sound-...

After ending his studies with Sechter, Bruckner wrote his Ave Maria in 1861. On October 3, 1861 he reported in a letter: "I was, in the end, splendidly aplauded by my choir-twice.“ In this very sound-...

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Anton Bruckner
Gradual on the feasts of holy Doctors of the Church

This gradual for the Feast of Holy Church Fathers was composed in 1879. The Lydian setting is, as Bruckner himself said, "without sharps, without flats, without triads on the 7th step, without six-fou...

This gradual for the Feast of Holy Church Fathers was composed in 1879. The Lydian setting is, as Bruckner himself said, "without sharps, without flats, without triads on the 7th step, without six-fou...

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Anton Bruckner
Gradual on the feasts of holy Doctors of the Church

This gradual for the Feast of Holy Church Fathers was composed in 1879. The Lydian setting is, as Bruckner himself said, "without sharps, without flats, without triads on the 7th step, without six-fou...

This gradual for the Feast of Holy Church Fathers was composed in 1879. The Lydian setting is, as Bruckner himself said, "without sharps, without flats, without triads on the 7th step, without six-fou...

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In this interesting motet by Bruckner, short imitative choral sections alternate with monophonic chorale passages. There are also sections in the old falsobordone setting. The short work on a verse fr...

In this interesting motet by Bruckner, short imitative choral sections alternate with monophonic chorale passages. There are also sections in the old falsobordone setting. The short work on a verse fr...

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In this interesting motet by Bruckner, short imitative choral sections alternate with monophonic chorale passages. There are also sections in the old falsobordone setting. The short work on a verse fr...

In this interesting motet by Bruckner, short imitative choral sections alternate with monophonic chorale passages. There are also sections in the old falsobordone setting. The short work on a verse fr...

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Anton Bruckner
Hymn
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Anton Bruckner
Hymn
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Anton Bruckner
Hymn
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Anton Bruckner
Hymn
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Anton Bruckner

An Easter motet in honour of Mary

An Easter motet in honour of Mary

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Anton Bruckner

An Easter motet in honour of Mary

An Easter motet in honour of Mary

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Giovanni Pierluigi da Palestrina
Psalm 42 (41).2
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Giovanni Pierluigi da Palestrina
Psalm 42 (41).2
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Carole Nelson
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Carole Nelson
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Phoebe P. Knapp
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Lucia Birzer
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Lucia Birzer
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Maddalena Casulana
from: Secondo libro de madrigali a quattro voci, Venice 1570
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Maddalena Casulana
from: Secondo libro de madrigali a quattro voci, Venice 1570
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