Classical Music

for SATB (with divisions) and organ or chamber ensemble. This is an uplifting setting of the Latin Missa brevis. The choir may be accompanied by organ, chamber ensemble, or a selection of the ensemble...

for SATB and organ This setting of Psalm 139 by Chilcott is warm and mesmerizing. The chant-like texture and shifting tonalities impart the sensation of being entranced in prayer. The words offer resp...

for SATB and four-piece ensemble (flute, oboe, harp, organ). John Rutter's much-loved setting of the Aaronic Blessing (Numbers 6: 24). Compatible with SATB and SAB versions.

for SATB and three-piece ensemble (oboe, harp, organ). Three-piece chamber ensemble accompaniment to Rutter's arrangement of Psalm 23. Pack includes full score and set of parts.

for SATB (with divisions) and piano. Setting a text by Elizabeth Craven, this anthem is a gentle and meditative expression of gratitude to God for the joys and challenges of life. With a flowing melod...

Introducing Gounod's beloved 'Ave Maria,' based on a prelude from J.S. Bach's Well-Tempered Clavier, in an accessible choral arrangement. The melody passes through all voices, while well-written chora...

Kantate zum Sonntag Sexagesimae (Leipziger Fassung). Gemischter Chor-SATB - Chorpartitur

Kantate zu einer Trauerfeier (deutsch/englisch), nach der Neuen Bach-Ausgabe. Alt solo, Bass solo, Gemischter Chor-SATB, Alt-Blockflöte in f,g (2), Viola da gamba (2), Basso continuo

As neither original sources nor documents relating to the first performance of the present funeral cantata Gottes Zeit ist die allerbeste Zeit BWV 106 have survived, we cannot prove the year of compos...

The anthem "How beautiful are the feet", also known as "Anthem on the Peace", was premiered in 1749 by the Chapel Royal in London at a thanksgiving service on the occasion of the Peace of Aachen, whic...

The anthem "How beautiful are the feet", also known as "Anthem on the Peace", was premiered in 1749 by the Chapel Royal in London at a thanksgiving service on the occasion of the Peace of Aachen, whic...

George Frideric Handel's anthem "Blessed are they that considereth the poor" was first performed in 1749 at a benefit concert for the Foundling Hospital orphanage and is known by this name. The vocal...

George Frideric Handel's anthem "Blessed are they that considereth the poor" was first performed in 1749 at a benefit concert for the Foundling Hospital orphanage and is known by this name. The vocal...

To celebrate the Peace Treaty of Utrecht, which ended the War of the Spanish Succession in 1713, the "Utrecht Jubilate" was composed in the same year, shortly after Handel had composed the "Te Deum"....

To celebrate the Peace Treaty of Utrecht, which ended the War of the Spanish Succession in 1713, the "Utrecht Jubilate" was composed in the same year, shortly after Handel had composed the "Te Deum"....

Dvorák composed the 'Mass in D major' in 1887 at the suggestion of his patron Josef Hlávka for the inauguration of the Lužany castle chapel. It is written for choir and organ with sporadic passages fo...

Dvorák composed the 'Mass in D major' in 1887 at the suggestion of his patron Josef Hlávka for the inauguration of the Lužany castle chapel. It is written for choir and organ with sporadic passages fo...

The "Petite Messe solennelle" is a very late work by Rossini. He composed it between 1863 and 1864 at the age of 71 as a commission for Countess Louise Pillet-Will for the inauguration of her private...

Handel composed the "Te Deum" in B flat major HWV 281 in 1718 for the later Duke of Chandos. The work therefore became known as the "Chandos Te Deum", but is referred to here as the "Te Deum" for Cann...

In 1739, Handel set the text of the cecilia ode to music for the second time after "Alexander's Feast" in 1736. "Song for St Cecilia's Day" was then also combined with "Alexander's Feast" at the premi...

Psalm 137 "Super flumina Babylonis" also known as "By the rivers of Babylon" was an inspiration for many composers including Camille Saint-Saëns. He repeatedly occupied himself with his psalm motet fo...

Psalm 137, "Super flumina Babylonis", was an inspiration for many composers, including Camille Saint-Saëns. He repeatedly returned to his psalm motet for solo soprano, mixed choir, saxophone quartet,...

Psalm 137 "Super flumina Babylonis" also known as "By the rivers of Babylon" was an inspiration for many composers including Camille Saint-Saëns. He repeatedly occupied himself with his psalm motet fo...

Psalm 137, "Super flumina Babylonis" or "By the rivers of Babylon", was an inspiration for many composers, including Camille Saint-Saëns. He repeatedly returned to his psalm motet for solo soprano, mi...

Psalm 137, "Super flumina Babylonis" or "By the rivers of Babylon", was an inspiration for many composers, including Camille Saint-Saëns. He repeatedly returned to his psalm motet for solo soprano, mi...