Classical Music

Choirmaster volume. The main volume contains all works of chorissimo! blue with piano accompaniment.

Bestehend aus 3 x Einzelstimme, Melodieinstrument 1 (CV02204-11) 3 x Einzelstimme, Melodieinstrument 2 (CV02204-12) 3 x Einzelstimme, Melodieinstrument 3 (CV02204-13) 3 x Einzelstimme, Bassinstrument...

The piano volume contains all the piano accompaniments or piano reductions offered in the musician's volume and the choir director's volume.

Bestehend aus: 1 x Compact Disc, Übetracks (CV02204-95) 1 x DVD (CV02204-96) 1 x Compact Disc, gesprochener Text (CV02204-97) 1 x Compact Disc, 2 CDs, Playback (CV02204-98) 1 x Compact Disc, 2 CDs (CV...

In the summer of 1785, Friedrich Schiller wrote a first draft of his 'Ode to Joy' in Leipzig, which later became world famous when Ludwig van Beethoven set it to music in 1824 in the fourth movement o...

In the summer of 1785, Friedrich Schiller wrote a first draft of his 'Ode to Joy' in Leipzig, which later became world famous when Ludwig van Beethoven set it to music in 1824 in the fourth movement o...

In the summer of 1785, Friedrich Schiller wrote a first draft of his 'Ode to Joy' in Leipzig, which later became world famous when Ludwig van Beethoven set it to music in 1824 in the fourth movement o...

In the summer of 1785, Friedrich Schiller wrote a first draft of his 'Ode to Joy' in Leipzig, which later became world famous when Ludwig van Beethoven set it to music in 1824 in the fourth movement o...

In the summer of 1785, Friedrich Schiller wrote a first draft of his 'Ode to Joy' in Leipzig, which later became world famous when Ludwig van Beethoven set it to music in 1824 in the fourth movement o...

In the summer of 1785, Friedrich Schiller wrote a first draft of his 'Ode to Joy' in Leipzig, which later became world famous when Ludwig van Beethoven set it to music in 1824 in the fourth movement o...

In the summer of 1785, Friedrich Schiller wrote a first draft of his 'Ode to Joy' in Leipzig, which later became world famous when Ludwig van Beethoven set it to music in 1824 in the fourth movement o...

In the summer of 1785, Friedrich Schiller wrote a first draft of his 'Ode to Joy' in Leipzig, which later became world famous when Ludwig van Beethoven set it to music in 1824 in the fourth movement o...

In the summer of 1785, Friedrich Schiller wrote a first draft of his 'Ode to Joy' in Leipzig, which later became world famous when Ludwig van Beethoven set it to music in 1824 in the fourth movement o...

In the summer of 1785, Friedrich Schiller wrote a first draft of his 'Ode to Joy' in Leipzig, which later became world famous when Ludwig van Beethoven set it to music in 1824 in the fourth movement o...

The classic text by William Blake is paired with a fresh, beautiful, and lesser-known melody by Fred Rogers. This lovely, accessible 2-part arrangement with piano accompaniment is designed to let both...

John Leavitt gives us a perfect introduction to this masterwork. Thoughtfully arranged and easy to sing, add the optional string parts to complete your presentation. Available for SATB, SA and Instrum...

Contents: Autumn Song - By the Plashing Fount I Stand - Evening Song - Farewell Song/Birds of Passage - For in His Own Hand - For So Hath the Lord Commanded - Greeting - How Can I Blithe and Cheerful...

'I remember' sets a text reflecting on the wonder of the natural world and the people who shape our lives. The stirring melody calls to mind the folksong tradition, and is underpinned by a gently flow...

This secular work for upper voices sensitively sets Langston Hughes's poem of the same name. A lilting melodic line, eloquent part-writing, and an effective piano part combine to create a piece that w...

Fill your concert hall with the majestic fanfare of Sally Albrecht's Let There Be Music. Your choir has never sounded stronger than they will as the opening fanfare bursts into the energetic and power...

Empowering. Courageous. Timely. This soulful gospel number from the beloved songwriting team of Sally Albrecht and Jay Althouse will inspire your students to their musical and personal best. 'I believ...

This has got to be one of Sally's most ingenious compositions. It's an original madrigal (with all of the solid choral harmonies, and festive fa-la-la's associated with Renaissance classics) that unfo...