Classical Music
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The "Da pacem" by Polish composer and arranger Zuzanna Koziej is a calm prayer for peace, which at times escalates into a passionate plea. In the midst of the storm, we ask for silence and comfort - a...
The "Da pacem" by Polish composer and arranger Zuzanna Koziej is a calm prayer for peace, which at times escalates into a passionate plea. In the midst of the storm, we ask for silence and comfort - a...
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The "Da pacem" by Polish composer and arranger Zuzanna Koziej is a calm prayer for peace, which at times escalates into a passionate plea. In the midst of the storm, we ask for silence and comfort - a...
The "Da pacem" by Polish composer and arranger Zuzanna Koziej is a calm prayer for peace, which at times escalates into a passionate plea. In the midst of the storm, we ask for silence and comfort - a...
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The main theme of "Benedictus Dominus" by Dariusz Zimnicki (composer and professor of conducting and choral singing in Warsaw) is simple and yet captivates with its melodic appeal. It develops continu...
The main theme of "Benedictus Dominus" by Dariusz Zimnicki (composer and professor of conducting and choral singing in Warsaw) is simple and yet captivates with its melodic appeal. It develops continu...
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The main theme of "Benedictus Dominus" by Dariusz Zimnicki (composer and professor of conducting and choral singing in Warsaw) is simple and yet captivates with its melodic appeal. It develops continu...
The main theme of "Benedictus Dominus" by Dariusz Zimnicki (composer and professor of conducting and choral singing in Warsaw) is simple and yet captivates with its melodic appeal. It develops continu...
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So sangen die Parzen, die Schicksalsgöttinnen der griechisch-römischen Mythologie: Von Fluch und Schicksal handelt das Parzenlied in Goethes Versdrama "Iphigenie auf Tauris", das zur Vorlage für Johan...
So sangen die Parzen, die Schicksalsgöttinnen der griechisch-römischen Mythologie: Von Fluch und Schicksal handelt das Parzenlied in Goethes Versdrama "Iphigenie auf Tauris", das zur Vorlage für Johan...
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With his composition "L'Aurore" (Dawn) in 1905, Maurice Ravel started his fifth and last attempt to win the coveted "Prix de Rome" of the Académie des Beaux-Arts in Paris. His renewed elimination in t...
With his composition "L'Aurore" (Dawn) in 1905, Maurice Ravel started his fifth and last attempt to win the coveted "Prix de Rome" of the Académie des Beaux-Arts in Paris. His renewed elimination in t...
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What happens when you combine Beethoven's "Moonlight Sonata" with the liturgical Kyrie? Composer and conductor Gottlob Benedict Bierey (1772-1840) dared to undertake this experiment—with a result that...
What happens when you combine Beethoven's "Moonlight Sonata" with the liturgical Kyrie? Composer and conductor Gottlob Benedict Bierey (1772-1840) dared to undertake this experiment—with a result that...
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- Christiane Rosiny
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What happens when you combine Beethoven's "Moonlight Sonata" with the liturgical Kyrie? Composer and conductor Gottlob Benedict Bierey (1772-1840) dared to undertake this experiment—with a result that...
What happens when you combine Beethoven's "Moonlight Sonata" with the liturgical Kyrie? Composer and conductor Gottlob Benedict Bierey (1772-1840) dared to undertake this experiment—with a result that...
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- Christiane Rosiny
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What happens when you combine Beethoven's "Moonlight Sonata" with the liturgical Kyrie? Composer and conductor Gottlob Benedict Bierey (1772-1840) dared to undertake this experiment—with a result that...
What happens when you combine Beethoven's "Moonlight Sonata" with the liturgical Kyrie? Composer and conductor Gottlob Benedict Bierey (1772-1840) dared to undertake this experiment—with a result that...
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- Christiane Rosiny
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Anyone who is familiar with Bruckner's symphonies and great masses will probably be astonished upon hearing his Missa solemnis of 1854: can the tradition of the Viennese classics still be so clearly e...
Anyone who is familiar with Bruckner's symphonies and great masses will probably be astonished upon hearing his Missa solemnis of 1854: can the tradition of the Viennese classics still be so clearly e...
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How does a composer apply for a position at court? With your own music! When Luigi Cherubini wanted to recommend himself as Joseph Haydn's successor at the court of the Hungarian Prince Nicholas II Es...
How does a composer apply for a position at court? With your own music! When Luigi Cherubini wanted to recommend himself as Joseph Haydn's successor at the court of the Hungarian Prince Nicholas II Es...
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A sacrilege or a stroke of genius? The composer and music director Gottlob Benedict Bierey (1772-1840) orchestrated the first movement of the famous 'Moonlight Sonata' by Beethoven (transposed to C mi...
A sacrilege or a stroke of genius? The composer and music director Gottlob Benedict Bierey (1772-1840) orchestrated the first movement of the famous 'Moonlight Sonata' by Beethoven (transposed to C mi...
- Mixed Choir (SATB) and Orchestra
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- Gottlob Benedict Bierey
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Of Eberlin's 56 known masses to date, this "Missa in C" is the shortest. Characterized by its ornate setting and ease of performance, the work is characterized as a mass for everyday use, which was in...
Of Eberlin's 56 known masses to date, this "Missa in C" is the shortest. Characterized by its ornate setting and ease of performance, the work is characterized as a mass for everyday use, which was in...
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- Doblinger Musikverlag
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- Paul G. Johansen
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Die Ausgabe Zur Opéra-comique Carmen entstanden insgesamt zehn Fassungen, von Georges Bizets erster Niederschrift 1874 bis zum Erstdruck der Partitur 1877. Im Zuge jahrelanger Grundlagenforschung erga...
Die Ausgabe Zur Opéra-comique Carmen entstanden insgesamt zehn Fassungen, von Georges Bizets erster Niederschrift 1874 bis zum Erstdruck der Partitur 1877. Im Zuge jahrelanger Grundlagenforschung erga...
- Low Voice, Mixed Choir and Orchestra
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- Strauss Edition Wien / Verlagsgruppe Hermann
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AD: abendfüllend Libretto: Lorenzo da Ponte Übersetzung: dt. (H. Levi) Ort: Neapel, um 1780 Personen: Fiordiligi (Sopran) - Dorabella (Mezzosopran) - Guglielmo (Bariton) - Ferrando (Tenor) - Despina (...
AD: abendfüllend Libretto: Lorenzo da Ponte Übersetzung: dt. (H. Levi) Ort: Neapel, um 1780 Personen: Fiordiligi (Sopran) - Dorabella (Mezzosopran) - Guglielmo (Bariton) - Ferrando (Tenor) - Despina (...
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Text: da Ponte, L. Soli: SSSSSSATTBBBB - Chor: SSATB - 2.2.2(Bassetthn).2. - 2.2.0.0. - Pk - Str - (Levi, H. / Klengel, P.) ital-dt
Text: da Ponte, L. Soli: SSSSSSATTBBBB - Chor: SSATB - 2.2.2(Bassetthn).2. - 2.2.0.0. - Pk - Str - (Levi, H. / Klengel, P.) ital-dt
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Soli: SSSTBarBBB - Chor: SATB - 2.2.2.2. - 2.2.3.0. - Pk - Mand - Str / BM: 2Ob. 2Hn. Str. Text: da Ponte, L.
Soli: SSSTBarBBB - Chor: SATB - 2.2.2.2. - 2.2.3.0. - Pk - Mand - Str / BM: 2Ob. 2Hn. Str. Text: da Ponte, L.
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