Sheet Music for Women's Choir

Here's a setting of William Wordsworth's lyrical poem "I Wandered Lonely as a Cloud." Composed specifically for SSA, colorful triadic harmonies and expressive musical moments are as plentiful as the g...

Dvorák composed the cycle 'Moravian Duets' for two female voices with piano accompaniment at the request of the Prague wholesale merchant Jan Neff in 1876. This was a turning point in the career of th...

52 Liedsätze und kleine Motetten überwiegend für gleiche Stimmen, einige für gemischte Stimmen (SAMSt), einige mit Ritornellen für 3 Melodieinstrumente ad lib. zum Gebrauch in Kirchen-, Schul- und Lai...

> First Urtext edition with a detailed Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editor > Singing translations in German (by Max Brod) and English (by Bernard Keefe) > Numbers 9 to 11...

Inspired by workshops with the pupils of All Hallows School in Shepton Mallet, this work is about how the world around us can support us, change us, and lead us in our lives. The text is drawn from a...

The 14th-century Eucharistic text 'Ave verum' has been set to music by many composers over the centuries, no doubt drawn to its vivid and powerful imagery. Todd first set the words (for SATB choir) in...

Written for Philip Redfern and the choir of St George's School, Edinburgh, who first performed it in December 2014, this is a refreshing new setting of the well-known Christmas carol. Will Todd's expe...

Let all the world in every corner sing was commissioned by Colston's Girls' School in Bristol for the Chamber Choir and their Director of Music Matthew Redman, and was written in August 2008 for the s...

Composed for the Children's Chorus of Opera North, this piece is a setting for three high choral voices of Thomas Hardy's poem of the same name. The swaying style of a jazz waltz and the chromatic but...

The original version of Flight Song (for SATB) was written as a gift to Dr Anton Armstrong and the St Olaf Choir, Minnesota, with whom Arnesen has worked on a number of occasions. The SSAA version was...

Leokadiya Kashperova (1872-1940), hitherto consigned to a footnote in musical history as Stravinsky’s piano teacher, is undergoing rediscovery. A double graduate of the St Petersburg Conservatoire, sh...

Combining a text by Charles Anthony Silvestri with syllables inspired by the song tradition (joik) of the Sami people in Scandinavia, Sing the earth is a tribute to our common home, the earth, as well...

Cantata mundi is a development of ideas first heard in Songs of Sanctuary, where the world of ethnic influenced (both in vocal sound and percussion) are combined with established Western European clas...

These songs were originally written for unaccompanied chorus. Later an orchestral accompaniment was added, and a piano reduction has been included for rehearsal purposes when preparing the choir for a...

These songs were originally written for unaccompanied chorus. Later an orchestral accompaniment was added, and a piano reduction has been included for rehearsal purposes when preparing the choir for a...

The Ceremony of Carols is one of Britten's best-known and most-performed works. It is a brilliantly conceived and dramatic concert work which sees the voices process to their places singing unaccompan...

These songs were originally written for unaccompanied chorus. Later an orchestral accompaniment was added, and a piano reduction has been included for rehearsal purposes when preparing the choir for a...

Three contrasting pieces of music from the third album in the Adiemus series, Dances of Time: Rain Dance, La la la Koora and Dos a Dos are written in Jenkins's trademark fusion of world and classical...