John Rutter

for unison voices This publication makes available some of the most renowned and beautiful chants of the Gregorian repertory. All eleven chants have modern notation, with editorial performance suggest...

Unison with optional descant and piano or orchestra Orchestral material is available on hire. The orchestral accompaniment for this version is not compatible with that for the SATB and SSAA versions.

For unison voices and piano. A shortened version of the original with a simplified piano accompaniment.

A version for unison voices with a simplified piano accompaniment Also in Carols for Choirs 4.

einstimmiger Chor und Klavier; Blockflöten, Glockenspiel ad lib.

For unison voices with a simplified piano accompaniment Duration: 3 minutes Difficulty: Easy

Accompaniments are for piano or chamber ensemble (using one player per string part) or chamber orchestra Instrumental material is available on hire.

No.1 of Three Birthday Madrigals for upper voices. SA version.

einstimmiger Chor (gemischter Chor SATB ad lib.), Orgel - Partitur

for unison voices and organ with optional SATB choir

For SATB and piano. Let's begin again is the finale from John Rutter's 'musical fable' The Reluctant Dragon, and makes a perfect gentle encore or leave-taking piece. Also available in Encores for Choi...

The Latin text from the Ordinary of the Mass for mixed voices, brass (4 trumpets, 2 tenor trombones, bass trombone, tuba), percussion, and organ. An accompaniment for orchestra without organ is also a...

The composer writes: 'The piano repertoire abounds with pieces that dazzle the listener with displays of virtuosity. I decided to compose music which allowed the sound of just one note at a time to be...

The shades of Finzi and Vaughan Williams are strongly present in these three delightful unaccompanied choral settings, and yet the style and execution are wholly Rutter's own.

Oxford Choral Classics: English Church Music assembles in two volumes around 100 of the finest examples of English sacred choral music. The second volume presents a wealth of service material suitable...

For SATB unaccompanied This lively and uplifting carol sets a joyful fifteenth-century Christmas text by James Ryman. The music is rhythmic and powerful, with moments of rich and vibrant harmony offse...

This tender arrangement of the well-loved Irish folk melody Londonderry Air sets an uplifting poem by Howard Walter: a stirring combination of music and text that was also used at the funeral of Diana...

I my Best-Beloved's am was written in 1999 for the BBC Singers and focuses on the theme of marriage, setting the nuptial responses from the old Tridentine Catholic marriage service and stanzas from Fr...

John Rutter's tender and expressive arrangement of Silent Night is presented here in both English and German. In a fascinating note, Rutter outlines the history of this celebrated carol, and this edit...

For SATB unaccompanied. Described by Elgar as an elegy for unaccompanied chorus, this mournful, reverent setting was composed for a service commemorating Queen Victoria on the anniversary of her death...

For SSAATTB unaccompanied.

For SSAATB unaccompanied.

For SATB double choir unaccompanied.

For SATB double choir unaccompanied. Setting words from the Ordinary of the Lutheran Mass, this brief but resoundingly effective piece is perfect for opening a choral concert. The piece begins with ea...

For SATB unaccompanied. This collection presents some of most attractive carols by the composer Charles Wood and the hymnodist, antiquarian, linguist, and musician G.R. Woodward, who both composed his...