Sheet Music for Men's Choir

This is a compelling setting of words by American writer and civil rights activist James Weldon Johnson that speaks to the way the power of song can help to overcome dark times. Garrett brings the pow...

This is a compelling setting of words by American writer and civil rights activist James Weldon Johnson that speaks to the way the power of song can help to overcome dark times. Garrett brings the pow...

Burk weaves joyful and declamatory passages with moments of pensiveness, with an extended harmonic vocabulary throughout. Offprinted from Carols for Choirs 6.

Clemens composed two settings of the Marian text Ego flos campi, one scored for mixed choir of seven voices and this other, more intimate, setting for three voices. Here the voices weave beautiful cou...

Composed for the Feast of Corpus Christi, this setting has a poise and beauty rare in choral music. Jackson uses the full sonic opportunities offered by the divided scoring, moving effortlessly from c...

Chanticleer is name given to a crowing cockerel, and the liveliness of this movement reflects the title. This piece is suitable for Advent and Christmas programmes. Offprinted from the Advent cantata...

Cecilia, Busy Like a Bee is a reflective setting of a text adapted from the Divine Office for St Cecilia's Day. The influence of plainchant is particularly apparent in the soprano solo, and McDowall i...

Full scores and orchestral parts are available on hire. Good ale and Blow, blow, thou winter wind are available separately.

This warm, lush Welsh lullaby is scored for men's voices and piano, with a delicate line for any treble solo instrument. This is appropriate for a night vigil or for a service with themes about God's...

This hearty song from the cantata In Windsor Forest is full of character and makes a fun and entertaining closing number or encore.

Reginal Wright's emotional and uplifting Crossroad sets Robert Frost's well-known poem 'The road not taken'. A twinkling piano accompaniment supports the voices, and the optional violin duet floats ab...

Reginal Wright's emotional and uplifting Crossroad sets Robert Frost's well-known poem 'The road not taken'. A twinkling piano accompaniment supports the voices, and the optional violin duet floats ab...

Mostly known for his operas (Mignon, 1866 ; Hamlet, 1867), Ambroise Thomas (1811-1896) also composed about 15 religious works, including some motets, one Messe solennelle (1852) and one Messe de requi...

Ego infelix The Ego influx motet is an almost unknown work by Cristóbal de Morales. Two rather contrasted versions exist: the manuscript 5 from Valladolid1 and the manuscript MM40 from the Porto Libra...

First publication of Joonas Kokkonen's piece for male choir 'Lehvillä puiden' to the poem of Lassi Nummi (1928-2012).

Choeurs - 4 Voix Egales Ou 5 Voix Mixtes Et Plus

Marcel Dupre's Laudate Dominum Op. 9 No. 4. Chorus parts for Tenor and Bass.

We couldn't believe our ears when we heard this one: a Tahitian folk song arranged in authentic South Pacific male chorus style, complete with some spoken word sections and handclaps. Includes phoneti...

We couldn't believe our ears when we heard this one: a Tahitian folk song arranged in authentic South Pacific male chorus style, complete with some spoken word sections and handclaps. Includes phoneti...

An exceptional song of brotherhood skillfully arranged by Jay Althouse. Opens with an optional alto solo and builds with strong choral writing, closing with a soft, final statement of the title. Use i...

An exceptional song of brotherhood skillfully arranged by Jay Althouse. Opens with an optional alto solo and builds with strong choral writing, closing with a soft, final statement of the title. Use i...

Strong rhythmic pulse of the piano sets the tone for this effective, walking-tempo arrangement. Includes a strong counterline: 'Jordan river is chilly and cold. . . '

Strong rhythmic pulse of the piano sets the tone for this effective, walking-tempo arrangement. Includes a strong counterline: 'Jordan river is chilly and cold. . . '