Sheet Music for Mixed Choir

Sämtliche Vokalwerke, Band 10.

Gemischter Chor-SATB - Singpartitur

Bereits 1960 erschien das Dixit Dominus von Georg Friedrich Händel im Rahmen der damals noch jungen Hallischen Händel-Ausgabe. Ein Kritischer Bericht wurde dabei nicht vorgelegt, sodass in Zweifelsfäl...

Bereits 1960 erschien das Dixit Dominus von Georg Friedrich Händel im Rahmen der damals noch jungen Hallischen Händel-Ausgabe. Ein Kritischer Bericht wurde dabei nicht vorgelegt, sodass in Zweifelsfäl...

> First Urtext edition > Includes a Foreword (Eng/Ger) > Idiomatic, well-presented piano reduction The 'Dettinger Te Deum' was written to celebrate England's victory over the French at the Battle of D...

Handel composed the "Te Deum" in B flat major HWV 281 in 1718 for the later Duke of Chandos. The work therefore became known as the "Chandos Te Deum", but is referred to here as the "Te Deum" for Cann...

The oratorio "Solomon" about the wise and righteous King Solomon was composed in 1748 and is musically one of the richest compositions Handel created for this genre. The chorus plays a special role he...

In 1739, Handel set the text of the cecilia ode to music for the second time after "Alexander's Feast" in 1736. "Song for St Cecilia's Day" was then also combined with "Alexander's Feast" at the premi...

Psalm 137, "Super flumina Babylonis", was an inspiration for many composers, including Camille Saint-Saëns. He repeatedly returned to his psalm motet for solo soprano, mixed choir, saxophone quartet,...

Psalm 137 "Super flumina Babylonis" also known as "By the rivers of Babylon" was an inspiration for many composers including Camille Saint-Saëns. He repeatedly occupied himself with his psalm motet fo...

Psalm 137, "Super flumina Babylonis" or "By the rivers of Babylon", was an inspiration for many composers, including Camille Saint-Saëns. He repeatedly returned to his psalm motet for solo soprano, mi...

Psalm 137, "Super flumina Babylonis" or "By the rivers of Babylon", was an inspiration for many composers, including Camille Saint-Saëns. He repeatedly returned to his psalm motet for solo soprano, mi...

Composed in 1796, the "Missa in Tempore Belli", better known as the "Timpani Mass", got its name from the striking use of timpani and a brass fanfare at the beginning of the "Dona nobis pacem" – both...

There is hardly any reliable information about the origin of this mass, which was composed between 1773 and 1776. The title goes back to the founder of the Order of the Brothers of Mercy, St. John of...

The "Missa Cellensis", composed in 1782, is better known as the "Mariazell Mass", with reference to the pilgrimage site of Mariazell in Styria, where it was performed. The revision of the complete vol...

The richly orchestrated Missa in C K. 317 was probably one of the first church music works that Mozart composed at the beginning of 1779 as the newly appointed Salzburg court organist. With a large or...

Lesungsmusik zur Todesstunde Jesu. Chor: Introitus und Conclusio Gemischter Chor-SATTB - Chorpartitur

Psalm 103 aus 'Psalmen Davids' für Solostimmen, zwei Chöre und Basso continuo. Urtext der Neuen Schütz-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor (2)-SATB+SATB, Basso conti...

Psalm 103 aus 'Psalmen Davids' für Solostimmen, zwei Chöre und Basso continuo. Urtext der Neuen Schütz-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor (2)-SATB+SATB, Basso conti...

Gemischter Chor-STTB - Singpartitur

Gemischter Chor-STTB - Singpartitur

Psalm 121 aus Psalmen Davids für Favoritchor (auch Soli aus dem Chor), 2 Chöre und Basso continuo. Urtext der Neuen Schütz-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor (2)-SA...