Sheet Music for Mixed Choir

The Recordare Virgo, an offertory for the feast of Our Lady of Sorrows (15 September) is part of the collection Carmina sacra WoO 7, which Rheinberger had published in 1886 at the request of his publi...

In March 1855, shortly before his 16th birthday, Josef Gabriel Rheinberger composed one of his most successful pieces, the Abendlied, Op. 69/3. Yet it was to be another 18 years before he published th...

The Missa Beatissimae Virginis Mariae was composed around 1758-1760, between the end of Haydn's time as Kapellsänger at St. Stephen's in Vienna and his first appointment as Kapellmeister to the Bishop...

Johann Michael Haydn worked for over 40 years at the prince-archbishop's court in Salzburg, for whom he composed most of his works. The St. Francis Mass, on the other hand, was commissioned by the imp...

contains: Solo aria "O coelitum beati" (G major); choral movement "Alleluia" (C major)

Joseph Martin Kraus, who was born in the same year as Mozart and, like the famous Salzburg composer, was highly gifted musically and died far too young, has been receiving more attention again in rece...

After Johann Adolf Hasse had finished his work for the opera stage and settled in Venice for good, he still wrote some church music. Out of old ties with the Saxon court, in whose service the composer...

Two complete Requiem settings by Johann Adolf Hasse have survived. Hasse composed the C major Requiem for the Saxon Elector Friedrich August II. Only a few weeks later, his son Elector Friedrich Chris...

Johann Adolf Hasse, Kapellmeister at the Saxon-Polish court in Dresden, composed the Requiem in C for the ceremonial exequies of the deceased Elector Frederic August II in November 1763 in the Catholi...

Johann Adolf Hasse, Kapellmeister at the Saxon-Polish court in Dresden, composed the Requiem in C for the solemn exequies of the deceased Elector Frederic August II in November 1763 in the Catholic Co...

Hasse's much smaller-scale Requiem in B flat, which we are publishing for the first time, was presumably composed as early as the second half of the 1750s. Nothing is known about the occasion for whic...

In contrast to Mozart's much shorter masses of the same period, Leopold Mozart described K. 262 as a "Missa longa". Indeed, the length of the individual movements and the final fugues of the Gloria an...

The two Kyrie settings in E flat K. 322 (1778/79) and in C K. 323 (probably not before 1790) are among the works by Mozart that only exist as incomplete draft scores. In both cases, however, Mozart's...

The Mass in C minor K. 427, Mozart's "Great Mass", is a torso - a circumstance that is extremely regrettable, especially in view of the monumentality of this work. Following his sensational reconstruc...

The Vienna Tonkünstlersozietät, a pension fund for the widows and orphans of professional musicians, also requested a choral work from Mozart for its benefit concerts in March 1785. Presumably not onl...

The English conductor and composer Howard Arman has presented a complete version of Mozart's Requiem. "Another version?" you might think, as there are now a whole series of other versions available al...

The English conductor and composer Howard Arman has presented us with a completed version of Mozart’s Requiem. “Another one?” you might ask, since this publication is only the latest in a long line re...

The Carus Urtext edition is based on the first edition of the score from 1800 as its main source. Haydn had it self-published, contrary to his usual practice, in order to avoid unauthorized pre-public...

Soli SATB, Coro SATB, 3 Fl, 2 Ob, 2 Clt, 2 Fg, Cfg, 2 Cor, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, Cemb Der neuen Carus-Urtextausgabe liegt als Hauptquelle der Partitur-Erstdruck von 1800 zu Grunde. Haydn hatt...

The Carus Urtext edition is based on the first edition of the score from 1800 as its main source. Haydn had it self-published, contrary to his usual practice, in order to avoid unauthorized pre-public...

Trotz der Einfachheit der Sätze, die eine möglichst breiten Verwendbarkeit dienen sollte, gelang es Haydn in den Psalmvertonungen, abwechslungsreiche Werke zu schaffen. Sowohl die Satztechniken als au...

In Eisenstadt in 1770/71, Haydn composed his four-movement Salve Regina, which is characterized by the concertante use of the organ. Haydn proves to be a master in the musical realization of the Maria...

Joseph Haydn set the Ambrosian Canticle to music twice in the course of his life. The "Te Deum" for Empress Marie Therese was composed around 1800 and thus falls into his late creative phase. The larg...

The 30 or so mass settings by Johann Michael Haydn are masterpieces of their genre and were extremely popular during his lifetime. In his sacred music, the composer achieved a synthesis of counterpoin...

Due to its instrumentation alone, the Missa Sancti Hieronymi occupies a special position both among Haydn's mass settings and in the church music repertoire of the Salzburg royal court. The extraordin...