Sheet Music for Mixed Choir

The movements set are Kyrie, Gloria, Sanctus and Benedictus (together), Acclamation and Agnus Dei. With the inclusion of a Gloria this is a more extended setting than the St Anne's Mass, and the canto...

Chorpartitur.

Chorpartitur - mit unterlegtem Klavierauszug.

A highly effective and extremely straightforward setting of a text from an inscription over the door into a Jesuit church in Glasgow. The piece begins with a forceful SATB prayer in English (perhaps i...

Gemischter Chor und Orgel, Harfe oder 3 Instrumente.

Chorpartitur - gemischter Chor (SSSMezMezMezAAATTTBarBarBarBBB).

This flexible collection offers a wealth of excellent material for singing in rounds. All of the standard rounds are represented, including many by master composers as well as anonymous ones. The book...

Organist and Master of Music at York Minster, Philip Moore is also a prolific choral composer. These Prayers, the most frequently requested of his works, make a poignantly attractive setting for unacc...

This 10-minute a cappella motet is suitable for advanced choirs for both concert and liturgical perfomances. It is a reflective and richly textured work, which uses an anonymous Latin text from a sett...

The text of We Are the Music-Makers is a few lines from Arthur O'Shaughnessy's Ode that speaks of the special feelings of being musicians, in many ways apart from the world, perhaps lonely and misunde...

While the melody used in this setting is entirely new, it is somewhat reminiscent of an old Scottish air. The violin obligato underscores the great poignancy of Robert Burns' lyrics.

The lovely new tune by Paul Short is a lyric and expansive melody, particularly well-suited for the voice, while the appearance of the original tune by Samuel Ward and the juxtaposition of the two in...

Kenneth Grahame's simple and slightly archais language brings to mind the gentle rocking rhythm associated both with traditional carols and folk lullabies, which the composer has augmented with occasi...

In this setting, the text is repeated in fragments, and not in its usual three-fold form used in liturgy today. Musically, the phrases are formed in continual motion of uninterrupted breath.

With words by Robert Burns, the melody used in this setting is an entirely new one, but one which is somewhat reminiscent of an old Scottish air.

This setting of the familiar Cantate Domino text is full of rhythmic vitality and forward momentum. Enjoy the playful metric surprises!