Lambert Kleesattel

Deutsche Messe in D

Masses in flexible three- and four-part choral scoring are becoming increasingly popular: both groups can sing the work "autonomously", it can remain in the repertoire as the shortage of male voices increases and choirs with different instrumentation can also sing it together at choir meetings. Reasons enough for the popular Rhenish composer Lambert Kleesattel to write his latest mass in this form with tenor ad libitum and the baritone in a comfortable middle register. Singing melodic lines and romantically inspired harmonies contribute to the feel-good potential inherent in his works. Unison passages shorten the rehearsal time considerably and the organ accompaniment can already be realized manually.

The score is copy-protected for single copies. This is only removed if the choral score or the orchestral material is purchased at the same time.