Martín Palmeri
Misa a Buenos Aires - Misatango
for mezzo-soprano, mixed choir, bandoneon, piano and string orchestra
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Martín Palmeri
Misa a Buenos Aires - Misatango
for mezzo-soprano, mixed choir, bandoneon, piano and string orchestra
- Instrumentation Soloists and Mixed Choir (SATB)
- Composer Martín Palmeri
- Edition Choral Score
- Publisher Tonos Musikverlag
- Order no. TONOS22200-2
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Description:
Misa a Buenos Aires, better known as "Misatango", is the best-known work by Argentinian composer Martín Palmeri (*1965). Premiered in 1996, the piece is an unusual combination of the traditional Latin mass and the rhythms and harmonies of the Argentinian Tango Nuevo.
Here is a summary of the most important features of the work:
1. Musical fusion
Palmeri combines the sacred text of the Ordinarium Missae (the fixed parts of the Catholic mass) with the passionate and melancholy language of tango. He was largely inspired by the style of Astor Piazzolla. The aim was to merge the spiritual depth of the liturgy with the rhythmic energy and emotional expressiveness of the tango.
2. Instrumentation
The instrumentation is characteristic of a tango ensemble, supplemented by the classical choral instrumentation:
•Vocals: mezzo-soprano solo and mixed choir (SATB).
•Instruments: bandoneon (the heart of the tango), piano and string orchestra. The piano often takes on percussive tasks, while the bandoneon contributes the typically wistful melodies.
3. Structure
The Misatango follows the classical structure of the mass and consists of six movements:
1. Kyrie (bitter-sweet and rhythmically striking)
2. Gloria (powerful and dance-like)
3. Credo (dramatic and multi-faceted)
4. Sanctus (lyrical and floating)
5. Benedictus (often soloistic)
6. Agnus Dei (contemplative, with recourse to the Kyrie theme)
4. Significance and success
Although the work was premiered in Buenos Aires in 1996, it only gained massive popularity worldwide after 2013. A decisive moment was a performance in Rome in honor of Pope Francis (who himself comes from Buenos Aires). Since then, the Misatango has been one of the most frequently performed contemporary choral works and is regularly performed in major concert halls such as Carnegie Hall in New York or the Vienna Konzerthaus.
The "Misatango" is a gripping, emotional work that dissolves the boundaries between sacred music and world music and appeals to both lovers of classical choral music and tango enthusiasts.
Here is a summary of the most important features of the work:
1. Musical fusion
Palmeri combines the sacred text of the Ordinarium Missae (the fixed parts of the Catholic mass) with the passionate and melancholy language of tango. He was largely inspired by the style of Astor Piazzolla. The aim was to merge the spiritual depth of the liturgy with the rhythmic energy and emotional expressiveness of the tango.
2. Instrumentation
The instrumentation is characteristic of a tango ensemble, supplemented by the classical choral instrumentation:
•Vocals: mezzo-soprano solo and mixed choir (SATB).
•Instruments: bandoneon (the heart of the tango), piano and string orchestra. The piano often takes on percussive tasks, while the bandoneon contributes the typically wistful melodies.
3. Structure
The Misatango follows the classical structure of the mass and consists of six movements:
1. Kyrie (bitter-sweet and rhythmically striking)
2. Gloria (powerful and dance-like)
3. Credo (dramatic and multi-faceted)
4. Sanctus (lyrical and floating)
5. Benedictus (often soloistic)
6. Agnus Dei (contemplative, with recourse to the Kyrie theme)
4. Significance and success
Although the work was premiered in Buenos Aires in 1996, it only gained massive popularity worldwide after 2013. A decisive moment was a performance in Rome in honor of Pope Francis (who himself comes from Buenos Aires). Since then, the Misatango has been one of the most frequently performed contemporary choral works and is regularly performed in major concert halls such as Carnegie Hall in New York or the Vienna Konzerthaus.
The "Misatango" is a gripping, emotional work that dissolves the boundaries between sacred music and world music and appeals to both lovers of classical choral music and tango enthusiasts.
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Manufacturer Information:
Tonos Musikverlag
Holzhofallee 15
64295
Darmstadt
Deutschland
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