Noten für Chorleiter
Urtext der Neuen Bach-Ausgabe. Alt solo, Tenor Solo, gemischter Chor-SATB, Oboe (2), Fag.Str, Basso continuo
Urtext der Neuen Bach-Ausgabe. Alt solo, Tenor Solo, gemischter Chor-SATB, Oboe (2), Fag.Str, Basso continuo
- Mixed Choir (SATB)
- Choral Score (Urtext)
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Die Entstehung der Kantate 'Lobe den Herrn meine Seele' BWV 143 liegt weitgehend im Dunkeln. Als einzige Quelle galt lange Zeit eine Abschrift aus dem 19. Jahrhundert. Diese lag auch dem Notentext der...
Die Entstehung der Kantate 'Lobe den Herrn meine Seele' BWV 143 liegt weitgehend im Dunkeln. Als einzige Quelle galt lange Zeit eine Abschrift aus dem 19. Jahrhundert. Diese lag auch dem Notentext der...
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Piano Reduction (Urtext)
- Andreas Köhs
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The origins of the cantata Lobe den Herrn meine Seele BWV 143 are largely unknown. For a long time, a copy from the 19th century was considered the only source. This was also the basis for the musical...
The origins of the cantata Lobe den Herrn meine Seele BWV 143 are largely unknown. For a long time, a copy from the 19th century was considered the only source. This was also the basis for the musical...
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- Andreas Köhs
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Cantata for the Feast of the Visitation, after the Urtext of the New Bach Edition. Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir, Oboe (2), Oboe d'amore, Oboe-dacc (2), Bassoon, Trumpet,...
Cantata for the Feast of the Visitation, after the Urtext of the New Bach Edition. Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir, Oboe (2), Oboe d'amore, Oboe-dacc (2), Bassoon, Trumpet,...
- 4 Soloists, Mixed Choir (SATB) and Piano
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- Olga Kroupová
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Kantate zum 3. Ostertag, nach dem Urtext der Neuen Bach-Ausgabe. Bass solo, Gemischter Chor-SATB, Oboe, Violine/ Flöte, Basso continuo
Kantate zum 3. Ostertag, nach dem Urtext der Neuen Bach-Ausgabe. Bass solo, Gemischter Chor-SATB, Oboe, Violine/ Flöte, Basso continuo
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Kantate zum Sonntag Cantate, nach dem Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Streicher, Basso continuo
Kantate zum Sonntag Cantate, nach dem Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Streicher, Basso continuo
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Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Fagott, Trompete (3), Pauke, Streicher, Basso continuo
Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Fagott, Trompete (3), Pauke, Streicher, Basso continuo
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Kantate zum 3. Pfingsttag (deutsch/englisch), nach dem Urtext der Neuen Bach-Ausgabe. Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Alt-Blockflöte in f,g (3), Trp.Str (2), Basso continuo
Kantate zum 3. Pfingsttag (deutsch/englisch), nach dem Urtext der Neuen Bach-Ausgabe. Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Alt-Blockflöte in f,g (3), Trp.Str (2), Basso continuo
- 3 Soloists, Mixed Choir (SATB) and Piano
- Piano Reduction (Urtext)
- Alfred Dürr
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To celebrate the Peace Treaty of Utrecht, which ended the War of the Spanish Succession in 1713, the "Utrecht Jubilate" was composed in the same year, shortly after Handel had composed the "Te Deum"....
To celebrate the Peace Treaty of Utrecht, which ended the War of the Spanish Succession in 1713, the "Utrecht Jubilate" was composed in the same year, shortly after Handel had composed the "Te Deum"....
- Soloists (AAB), Mixed Choir (SSAATTBB) and Orchestra
- Choral Score (Urtext)
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Dvorák composed the 'Mass in D major' in 1887 at the suggestion of his patron Josef Hlávka for the inauguration of the Lužany castle chapel. It is written for choir and organ with sporadic passages fo...
Dvorák composed the 'Mass in D major' in 1887 at the suggestion of his patron Josef Hlávka for the inauguration of the Lužany castle chapel. It is written for choir and organ with sporadic passages fo...
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- Organ score download (Urtext)
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> Choral score based on the Urtext of the series 'Works of Gioachino Rossini' > Supplements the already existing material available to this work The 'Petite Messe solennelle' is the finest work of Ros...
> Choral score based on the Urtext of the series 'Works of Gioachino Rossini' > Supplements the already existing material available to this work The 'Petite Messe solennelle' is the finest work of Ros...
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- Choral Score (Urtext)
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The "Petite Messe solennelle" is a very late work by Rossini. He composed it between 1863 and 1864 at the age of 71 as a commission for Countess Louise Pillet-Will for the inauguration of her private...
The "Petite Messe solennelle" is a very late work by Rossini. He composed it between 1863 and 1864 at the age of 71 as a commission for Countess Louise Pillet-Will for the inauguration of her private...
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Sämtliche Vokalwerke, Band 10.
- 2 Mixed Choirs (SATB) and Continuo
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Gemischter Chor-SATB - Singpartitur
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Bereits 1960 erschien das Dixit Dominus von Georg Friedrich Händel im Rahmen der damals noch jungen Hallischen Händel-Ausgabe. Ein Kritischer Bericht wurde dabei nicht vorgelegt, sodass in Zweifelsfäl...
Bereits 1960 erschien das Dixit Dominus von Georg Friedrich Händel im Rahmen der damals noch jungen Hallischen Händel-Ausgabe. Ein Kritischer Bericht wurde dabei nicht vorgelegt, sodass in Zweifelsfäl...
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Bereits 1960 erschien das Dixit Dominus von Georg Friedrich Händel im Rahmen der damals noch jungen Hallischen Händel-Ausgabe. Ein Kritischer Bericht wurde dabei nicht vorgelegt, sodass in Zweifelsfäl...
Bereits 1960 erschien das Dixit Dominus von Georg Friedrich Händel im Rahmen der damals noch jungen Hallischen Händel-Ausgabe. Ein Kritischer Bericht wurde dabei nicht vorgelegt, sodass in Zweifelsfäl...
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> First Urtext edition > Includes a Foreword (Eng/Ger) > Idiomatic, well-presented piano reduction The 'Dettinger Te Deum' was written to celebrate England's victory over the French at the Battle of D...
> First Urtext edition > Includes a Foreword (Eng/Ger) > Idiomatic, well-presented piano reduction The 'Dettinger Te Deum' was written to celebrate England's victory over the French at the Battle of D...
- Soloists (ATB), Mixed Choir (SSATB), 2 Oboes, Bassoon, 3 Trumpets, Timpani, 3 Violins, Viola and Continuo
- Piano reduction Download (Urtext)
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Handel composed the "Te Deum" in B flat major HWV 281 in 1718 for the later Duke of Chandos. The work therefore became known as the "Chandos Te Deum", but is referred to here as the "Te Deum" for Cann...
Handel composed the "Te Deum" in B flat major HWV 281 in 1718 for the later Duke of Chandos. The work therefore became known as the "Chandos Te Deum", but is referred to here as the "Te Deum" for Cann...
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The oratorio "Solomon" about the wise and righteous King Solomon was composed in 1748 and is musically one of the richest compositions Handel created for this genre. The chorus plays a special role he...
The oratorio "Solomon" about the wise and righteous King Solomon was composed in 1748 and is musically one of the richest compositions Handel created for this genre. The chorus plays a special role he...
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- Andreas Köhs
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In 1739, Handel set the text of the cecilia ode to music for the second time after "Alexander's Feast" in 1736. "Song for St Cecilia's Day" was then also combined with "Alexander's Feast" at the premi...
In 1739, Handel set the text of the cecilia ode to music for the second time after "Alexander's Feast" in 1736. "Song for St Cecilia's Day" was then also combined with "Alexander's Feast" at the premi...
- Soloists (SATB), Mixed Choir (SATB), Flute, 2 Oboes, 2 Trumpets, Timpani, 2 Violins, Viola and Continuo
- Piano reduction Download (Urtext)
- Andreas Köhs
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Psalm 137, "Super flumina Babylonis", was an inspiration for many composers, including Camille Saint-Saëns. He repeatedly returned to his psalm motet for solo soprano, mixed choir, saxophone quartet,...
Psalm 137, "Super flumina Babylonis", was an inspiration for many composers, including Camille Saint-Saëns. He repeatedly returned to his psalm motet for solo soprano, mixed choir, saxophone quartet,...
- Voice (high), Mixed Choir (SATB), 4 Saxophones (SATB), 2 Violins, Viola, Cello, Double Bass and Organ
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Psalm 137 "Super flumina Babylonis" also known as "By the rivers of Babylon" was an inspiration for many composers including Camille Saint-Saëns. He repeatedly occupied himself with his psalm motet fo...
Psalm 137 "Super flumina Babylonis" also known as "By the rivers of Babylon" was an inspiration for many composers including Camille Saint-Saëns. He repeatedly occupied himself with his psalm motet fo...
- Low Voice, Mixed Choir (SATB) and Piano
- Piano Score (Urtext)
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Psalm 137, "Super flumina Babylonis" or "By the rivers of Babylon", was an inspiration for many composers, including Camille Saint-Saëns. He repeatedly returned to his psalm motet for solo soprano, mi...
Psalm 137, "Super flumina Babylonis" or "By the rivers of Babylon", was an inspiration for many composers, including Camille Saint-Saëns. He repeatedly returned to his psalm motet for solo soprano, mi...
- Low Voice, Mixed Choir (SATB) and Piano
- Choral Score (Urtext) Download
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