Noten für Chorleiter

Uses Latin and English (Rite A) texts.

Chilcott has re-scored this serene anthem, originally for upper voices, for SAB, making it accessible to choirs with a limited number of male voices. A rich addition to the Choral Evensong repertory,...

for SATB and four-piece ensemble (flute, oboe, harp, organ). John Rutter's much-loved setting of the Aaronic Blessing (Numbers 6: 24). Compatible with SATB and SAB versions.

for SATB and three-piece ensemble (oboe, harp, organ). Three-piece chamber ensemble accompaniment to Rutter's arrangement of Psalm 23. Pack includes full score and set of parts.

This reflective setting of verses from Psalm 139 was composed in memory of George Guest and first performed by the choir of St John's College, Cambridge, on Ash Wednesday, 2007. The work makes a highl...

This is John Rutter's first setting of the Magnificat and Nunc dimittis texts. The Magnificat features rippling organ syncopations, contrasting textures, and an emphatic Gloria. The Nunc dimittis is t...

For SATB and optional organ.

A setting of words from Psalm 27 featuring a solo clarinet with various choral groupings. A clarinet part is included in the vocal score. Instrumental material is available on hire.

John Rutter wrote this anthem for the dedication of the Herbert Howells memorial window in Gloucester Cathedral in 1992. The first section is full of mystical intensity, and, with its iridescent chrom...

for SATB (with divisions) and piano. Setting a text by Elizabeth Craven, this anthem is a gentle and meditative expression of gratitude to God for the joys and challenges of life. With a flowing melod...

This deeply profound work combines a short form of the Latin Mass with Biblical passages that speak of peace. It features a prayerful Kyrie, energetic Gloria, contemplative Sanctus and Benedictus, and...

This anthem by Mack Wilberg is lyrical, sweeping, and full of rich harmonies. With a text by David Warner that includes the repeated phrase 'we thank thee, Lord', this piece is a gentle but stirring p...

Festival hymn with introductory fanfare for SATB, brass ensemble (4 trumpets, 3 trombones or 2 horns and one trombone, tuba), timpani, percussion, and organ, or for SATB and orchestra. Orchestral mate...

For SSAATTBB and optional organ

A fine antiphonal masterwork for today's mixed choirs. May be performed by one choir with any of the following performing the antiphonal choir part: a second choir, a small group of voices, brass or s...

This haunting melody has been recorded by everyone from Charlotte Church to Andrea Bocelli and no wonder: it's gorgeous. And the harmonies are lush, and unexpected for a 16th century piece. The voice...

Sally Albrecht has adeptly set a 'Kyrie eleison' text to Handel's classic 'Sarabande' melody. You'll recognize the melody as soon as you hear it, and your immediate reaction will be, 'Why hasn't someo...

A new classic from Donald Moore: a skillfully arranged version of the famous Bach/Gounod 'Ave Maria. ' Your choir will sound impressive singing these lyric lines and rich harmonies set to an 'Alleluia...

The meter often changes in Jay Althouse's provocative Gloria Allelu, but only the accompanist needs to handle the scattered five-four bars. Modern choral harmony, vast dynamic contrast, and captivatin...

This majestic piece is a glorious addition to choral concerts and festivals year round. Earlene's 6/8 setting of the Latin text is underscored by a full-sounding piano accompaniment that is not diffic...

Expertly written by Sally K. Albrecht for today's choirs, this Latin-text piece opens with a fanfare and evolves into an energetic work. The choral writing is traditional and powerful, and the piano a...

A poignant setting of the Latin text which translates to 'Where there is charity and love, God is there. ' The piece opens quietly, with a unison statement of the melody. Teaching suggestion: teach th...

Especially arranged for double 3-part mixed or SSA choirs, each phrase of this famous Italian madrigal is sung by Choir I and repeated precisely by Choir II, many times overlapping to create a texture...